Hylla
Titel och upphov
Utgivning, distribution etc. MIT Press, Cambridge, Mass. : cop. 1999
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xvi, 357 s. : ill. ; 23 cm
Term
Indexterm - Okontrollerad
Automatiskt genererade ämnesord (BURK)
ISBN 0-262-10069-X (inb.) 0-262-60035-8 (hft.)
Antal i kö:
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*008981104s1999 xxua 000 0 eng c
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*020 $a0-262-60035-8 (hft.)
*035 $a(SE-LIBR)4738946
*035 $a(Ko)47662
*040 $aLi
*082 $a302.2$221
*084 $aBra$2kssb/6
*24500$aInformation design /$cedited by Robert Jacobson
*260 $aCambridge, Mass. :$bMIT Press,$ccop. 1999
*300 $axvi, 357 s. :$bill. ;$c23 cm
*650 2$aInformation science $xmethods
*653 $aTelematics
*653 $aCommunication , technological innovations
*7001 $aJacobson, Robert E.,$d1948-$4edt
*852 $5Ko$bKo$hBr$lINF
*976 2$aBra$bKommunikation Semiotik
^
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foreword by Richard Saul Wurman Information design is the newest of the design disciplines. As a sign of our times, when the crafting of messages and meaning is so central to our lives, information design is not only important--it is essential. Contemporary information designers seek to edify more than to persuade, to exchange more than to foist upon. With ever more powerful technologies of communication, we have learned that the issuer of designed information is as likely as the intended recipient to be changed by it, for better or worse. The contributors to this book are both cautionary and hopeful as they offer visions of how information design can be practiced diligently and ethically, for the benefit of information consumers as well as producers. They present various methods that seem to work, such as sense-making and way-finding. They make recommendations and serve as guides to a still young but extraordinarily pervasive--and persuasive--field. Contributors: Elizabeth Andersen, Judy Anderson, Simon Birrell, Mike Cooley, Brenda Dervin, Jim Gasperini, Yvonne M. Hansen, Steve Holtzman, Robert E. Horn, Robert Jacobson, John Krygier, Sheryl Macy, Romedi Passini, Jef Raskin, Chandler Screven, Nathan Shedroff, Hal Thwaites, Roger Whitehouse.
Foreword p. ix Preface p. xv Introduction: Why Information Design Matters p. 1 Theoretical Foundations of Information Design p. 11 Information Design: The Emergence of a New Profession p. 15 Chaos, Order, and Sense-Making: A Proposed Theory for Information Design p. 35 Human-Centered Design p. 59 Sign-Posting Information Design p. 83 The Practice of Information Design p. 99 The Uniqueness of Individual Perception p. 103 Information Design in Informal Settings: Museums and Other Public Spaces p. 131 Graphic Tools for Thinking, Planning, and Problem Solving p. 193 Visual Design in Three Dimensions p. 221 Collaborative Information Design: Seattle's Modern Odyssey p. 247 Designing for the Technologies of Information p. 263 Information Interaction Design: A Unified Field Theory of Design p. 267 Interactivity and Meaning p. 293 The Role of Ambiguity in Multimedia Experience p. 301 Sculpting in Zeroes and Ones p. 317 Personal Reflections on the Development of Cyberspace p. 327 Epilogue p. 339 Rationalizing Information Representation p. 341 Contributors p. 349