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Titel och upphov Surrealism and the Spanish Civil War
Utgivning, distribution etc. Yale University Press, New Haven : 2006
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Fysisk beskrivning vii, 261 s. : ill. (vissa i färg)
Anmärkning: Bibliografi etc. Includes bibliographical references and index
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Elektronisk adress och åtkomst (URI) http://www.loc.gov/catdir/toc/ecip061/2005028844.html Table of contents http://www.loc.gov/catdir/enhancements/fy0643/2005028844-b.html Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0643/2005028844-d.html Publisher description
ISBN 0-300-11295-5 (alk. paper)
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How might artistic practice offer unique insight into the cataclysmic debacle of war? Surrealism and the Spanish Civil War plumbs this provocative question through an ambitious account of a pivotal period in European cultural history. The book focuses on the relation between artistic endeavor and politics during a period of social crisis. By scrutinizing the widely varying responses to the Spanish Civil War in the work of Miró, Dalí, Caballero, Masson, and Picasso, the author investigates Surrealism's efforts to bridge the divide between political thought and political act. Robin Adèle Greeley examines such central works as Miró's Still Life with Old Shoe and Dalí's Autumn Cannibalism in the context of contemporary works and historical events. She also examines such topics as Surrealism's flirtations with fascism, the movement's relations with the Communist Party and the Popular Front, and the distinct development of Spanish versus French Surrealism. She concludes with an in-depth discussion of Picasso's Guernica .
Acknowledgments p. vi Pictures and Battlefields p. 1 Nationalism, Civil War, and Painting: Joan Miro and Political Agency in the Pictorial Realm p. 13 Dali, Fascism, and the "Ruin of Surrealism" p. 51 Surrealism's Public Awakening in Spain: Politics and Pictures in Republican and Fascist Spain p. 91 The Barcelona Acepale: Spain and the Politics of Violence in the Work of Andre Masson p. 117 The Body as Political Metaphor: Picasso and the Performance of Guernica p. 147 Of Apples and Guns p. 189 Notes p. 193 Bibliography p. 243 Index p. 257