Konstfacks bibliotek

*00004535nam a22013577i 4500
*00140295
*00520160109030855.6
*008150415s2015    enk      b    001 0 eng
*010  $a2015005570
*020  $a978-0-85785-768-2 (hardcover)
*020  $z9781474249898 (ePDF)
*020  $z9781474249904 (ePub)
*035  $a(SE-LIBR)18558320
*035  $a(Ko)46483
*040  $aDLC$beng$erda$cDLC$dG
*0411 $aeng$hger
*042  $apcc
*043  $ae-gx---
*05000$aGT905$b.S3513 2015
*08200$a391.00943$223
*084  $aIhk$2kssb/8 (machine generated)
*1001 $aSchwarz, Matthäus,$d1497-ca 1574
*24010$aTrachtenbuch.$lEnglish
*24514$aThe first book of fashion :$bthe book of clothes of Matthaeus and Veit Konrad Schwarz of Augsburg /$cedited by Ulinka Rublack, Maria Hayward and Jenny Tiramani.
*260  $aLondon ;$aNew York :$bBloomsbury Academic, an imprint of Bloomsbury Publishing, Plc,$c[2015]
*300  $a410 pages :$bill. ;$c28 cm
*504  $aIncludes bibliographical references and index.
*599  $aImported from: lx2.loc.gov:210/LCDB (Do not remove)
*648 7$a1500-talet$2sao
*650 7$aMode$2sao$0https://id.kb.se/term/sao/Mode
*650 7$aKläder$2sao$0https://id.kb.se/term/sao/Kl%C3%A4der
*650 0$aFashion$zGermany$vEarly works to 1800.
*650 0$aCostume$zGermany$vEarly works to 1800.
*650 0$aClothing and dress$zGermany$vEarly works to 1800.
*650 0$aFashion
*650 0$aClothing and dress
*650 0$aCostume
*651 4$aTyskland$0https://libris.kb.se/b8nqprqv0sp2ttj#it$2sao
*655 7$aVerk före 1800$0https://id.kb.se/term/saogf/Verk%20f%C3%B6re%201800$2saogf
*7001 $aSchwarz, Veit Konrad,$d1541-1587
*7001 $aRublack, Ulinka,
*7001 $aHayward, Maria,
*7001 $aTiramani, Jenny
*852  $5Ko$bKo$cTEXTIL -$hIhk$lSCH
*950  $aKlädhandel$wh$uKläder
*950  $aYtterkläder$wh$uKläder
*950  $aMode$uKläder
*950  $aSmycken$uKläder
*950  $aKläder$xdesign$uMode
*950  $aGatumode$uMode
*950  $aEkologiska kläder$wh$uMode
*950  $aStyling$wh$uMode
*950  $aUngdomsmode$wh$uMode
*950  $aHerrmode$wh$uMode
*950  $aDammode$wh$uMode
*950  $aKläder$uMode
*950  $aAccessoarer$wh$uMode
*950  $aSkrädderi$wg$uMode
*950  $aHårmode$wh$uMode
*950  $aModefotografi$wh$uMode
*950  $wh$aModevisningar$uMode
*950  $aBeklädnadsvaror$w||e$uKläder
*950  $aDräkt$uKläder
*950  $aDräktskick$uKläder
*950  $aKlädedräkt$uKläder
*950  $aKlädsel$uKläder
*950  $aPlagg$uKläder
*950  $wg$aSamhällsliv$uKläder
*950  $aAccessoarer$wh$uKläder
*950  $aEkologiska kläder$wh$uKläder
*950  $aFärg i klädmode$wh$uKläder
*950  $aFörkläden$wh$uKläder
*950  $aKröningsdräkter$wh$uKläder
*950  $aMaskeraddräkter$wh$uKläder
*950  $aMode och konst$wh$uKläder
*950  $aMuddar$wh$uKläder
*950  $aMunkdräkter$wh$uKläder
*950  $aSecond hand-kläder$wh$uKläder
*950  $aSjalar$wh$uKläder
*950  $aSjömanskostymer$wh$uKläder
*950  $aSkrädderi$wh$uKläder
*950  $aSlipsar$wh$uKläder
*950  $aSportkläder$wh$uKläder
*950  $aStrumpbyxor$wh$uKläder
*950  $aStrumpor$wh$uKläder
*950  $aTeaterdräkter$wh$uKläder
*950  $aTröjor$wh$uKläder
*950  $aVästar$wh$uKläder
*950  $aAgraffer$wh$uKläder
*950  $aHovdräkter$wh$uKläder
*950  $aUniformer$wh$uKläder
*950  $aBröllopskläder$wh$uKläder
*950  $aArbetskläder$wh$uKläder
*950  $aBarnkläder$wh$uKläder
*950  $aDockkläder$wh$uKläder
*950  $aKvinnokläder$wh$uKläder
*950  $aManskläder$wh$uKläder
*950  $aSorgkläder$wh$uKläder
*950  $wh$aSamiska kläder$uKläder
*950  $aBeklädnadsindustri$uKläder
*950  $aKonfektionsindustri$uKläder
*950  $aKlädsömnad$wh$uKläder
*950  $aByxor$wh$uKläder
*950  $aDopdräkter$wh$uKläder
*950  $aFolkdräkter$wh$uKläder
*950  $aHuvudbonader$wh$uKläder
*950  $aVantar$wh$uKläder
*950  $aKostymer$wh$uKläder
*951  $aDeutschland$uTyskland
*951  $aBundesrepublik Deutschland$uTyskland
*951  $aÖsttyskland$uTyskland
*951  $aVästra Tyskland$wh$uTyskland
*951  $aÖstra Tyskland$wh$uTyskland
*951  $aVästtyskland$uTyskland
*955  $aTidiga verk$uVerk före 1800
^

This captivating book reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, they chronicle how style-conscious accountant Matthäus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies' agenda resonates as powerfully today as it did in the sixteenth century: one has to dress to impress, and dress to impress they did.The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes' fashion-focussed yet at times deeply personal captions, which render the pair the world's first fashion bloggers and pioneers of everyday portraiture. The First Book of Fashion demonstrates how dress - seemingly both ephemeral and trivial - is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and every day culture of the period. Historians Ulinka Rublack's and Maria Hayward's insightful commentaries create an unparalleled portrait of sixteenth-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista's wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz's most elaborate and politically significant outfits.