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Raymond Pettibon : the pages which contain truth are blank
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  • KONST - Ibz Pettibon, Raymond
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  • Raymond Pettibon : the pages which contain truth are blank
Varianttitel
  • Pages which contain truth are blank.
Utgivning, distribution etc.
  • Museion ; Galleria d'arte moderna, Bozen : Bologna : c2003.
Utgivningsår
  • 2003
  • Språk: Flerspråkigt verk.
SAB klassifikationskod
Fysisk beskrivning
  • 132 p. : ill. (some col.) ; 28 cm.
Anmärkning: Allmän
  • Catalog of an exhibition held at the Museo d'arte moderna, Bolzano, Jan. 31-May 18, 2003 and the Galleria d'arte moderna, Bologna, June 26-Aug. 31, 2003.
Anmärkning: Språk
  • Text in German, Italian, and English.
Personnamn
Institutionsnamn
ISBN
  • 3-7082-3129-5 (pbk.)
Antal i kö:
  • 0 (0)
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*24510$aRaymond Pettibon :$bthe pages which contain truth are blank /$c[Kuratoren: Andreas Hapkemeyer, Peter Weiermair.]
*24630$aPages which contain truth are blank.
*260  $aBozen :$bMuseion ;$aBologna :$bGalleria d'arte moderna,$cc2003.
*300  $a132 p. :$bill. (some col.) ;$c28 cm.
*500  $aCatalog of an exhibition held at the Museo d'arte moderna, Bolzano, Jan. 31-May 18, 2003 and the Galleria d'arte moderna, Bologna, June 26-Aug. 31, 2003.
*546  $aText in German, Italian, and English.
*599  $aImported from: olc1.ohiolink.edu:210/INNOPAC (Do not remove)
*60014$aPettibon, Raymond,$d1957-
*655 7$aExhibition catalogs.$2lcgft.
*7001 $aHapkemeyer, Andreas,$d1955-$4edt
*7001 $aWeiermair, Peter$4edt
*7102 $aMuseo d'arte moderna (Bolzano, Trentino-Alto Adige, Italy)
*7101 $aBologna (Italy).$bGalleria d'arte moderna.
*852  $5Ko$bKo$cKONST -$hIbz Pettibon, Raymond$lPET
^
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One hundred thirty-six drawings and paintings by Raymond Pettibon, a vital North American artist. Pettibon's drawings pitilessly critique contemporary culture, using the aesthetic traditions of comic, popart and popular culture. His primary theme is the failure of the 1960s subculture to resist authority and complete the incipient revolution. The philosophy behind Pettibon's work is that the Manson cult murder of Sharon Tate and the Altamont killing marked the collapse of the era of peace and love. His work, full of frightening images, speaks openly of the continuing despair and disgust of a generation.

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