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Titel och upphov Mirrors and others : image, text, Louvre
Varianttitel
Utgivning, distribution etc. Spector Books, Leipzig : cop. 2014
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SAB klassifikationskod
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Fysisk beskrivning 1 volume (unpaged) : illustrations (some color) ; 24 cm.
Anmärkning: Innehållsbeskrivning, sammanfattning In 2011 German Neo-Expressionist painter Andreas Schulze lived in Paris thanks to a research grant. At some point, he visited the Louvre, let himself be swept up by the stream of tourists, looked at pictures, met an old friend and started to photograph his series Louvre. The photographs reflect on the nature of image production while in front of images. This unconventional project sheds new light on Schulze's long art career. The images, combined with text, convey the feeling of stumbling among images of torture, tenderness, humor, and all of the human condition held within the Louvre. Schulze creates a grammar of patterns and forms from one page to the next. Gradually a visual narrative emerges which, with some unexpected turns, reformulates the question of the origin of images.
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ISBN 978-3-944669-59-5 3-944669-59-2
Antal i kö:
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*1001 $aSchulze, Andreas,$d1955-$eauthor.
*24510$aMirrors and others :$bimage, text, Louvre /$cA. Schulze ; English translation by Eva Wilson
*24610$aimage text Louvre.
*250 $aEnglish edition.
*250 $aFirst edition.
*260 $aLeipzig :$bSpector Books,$ccop. 2014
*300 $a1 volume (unpaged) :$billustrations (some color) ;$c24 cm.
*5208 $aIn 2011 German Neo-Expressionist painter Andreas Schulze lived in Paris thanks to a research grant. At some point, he visited the Louvre, let himself be swept up by the stream of tourists, looked at pictures, met an old friend and started to photograph his series Louvre. The photographs reflect on the nature of image production while in front of images. This unconventional project sheds new light on Schulze's long art career. The images, combined with text, convey the feeling of stumbling among images of torture, tenderness, humor, and all of the human condition held within the Louvre. Schulze creates a grammar of patterns and forms from one page to the next. Gradually a visual narrative emerges which, with some unexpected turns, reformulates the question of the origin of images.
*599 $aImported from: library.metmuseum.org:210/INNOPAC (Do not remove)
*60014$aSchulze, Andreas,$d1955-
*61020$aMusée du Louvre
*650 0$aPhotography, Artistic.
*650 7$aFotokonst$2sao
*650 0$aPhotography, Artistic
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*852 $5Ko$bKo$hARTISTS' BOOKS$lSCH
*950 $aFotografisk konst$uFotokonst
*950 $aKonstnärlig fotografi$uFotokonst
*950 $aFotografi$wg$uFotokonst
*950 $aKonst$wg$uFotokonst
*950 $aSnapshot (fotografi)$wh$uFotokonst
*950 $aFotokonstnärer$uFotokonst
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In 2011, Andreas Schulze lived in Paris thanks to a research grant. At some point, he visited the Louvre, let himself be swept up by the stream of tourists, looked at pictures, met an old friend and started to photograph his series Louvre . A reflection on the nature of image production in front of images, whose significance is granted by virtue of the famous exhibition location. In Text he writes about the feeling of stumbling around between images of torture, tenderness and all the humorous pictures in between. In the chapter Image he takes over the stage direction: He de-contextualizes media images in order to pair them in new groups of two. He develops his own grammar promoting patterns and forms from one page to the next. A visual narrative flow emerges with unexpected turns that reformulates the question of the origin of images.