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Titel och upphov The handbook of textile culture
Utgivning, distribution etc. Bloomsbury, London : 2016
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*300 $axxv, 478 p.
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*7001 $aClark, Hazel$4edt
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*852 $5Ko$bKo$cTEXTIL -$hIhc$lTHE
*950 $aTextilhistoria$w||e$uTextilier$xhistoria
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In recent years, the study of textiles and culture has become a dynamic field of scholarship, reflecting new global, material and technological possibilities. This is the first handbook of specially commissioned essays to provide a guide to the major strands of critical work around textiles past and present and to draw upon the work of artists and designers as well as researchers in textiles studies.The handbook offers an authoritative and wide-ranging guide to the topics, issues, and questions that are central to the study of textiles today: it examines how material practices reflect cross-cultural influences; it explores textiles' relationships to history, memory, place, and social and technological change; and considers their influence on fashion and design, sustainable production, craft, architecture, curation and contemporary textile art practice.This illustrated volume will be essential reading for students and scholars involved in research on textiles and related subjects such as dress, costume and fashion, feminism and gender, art and design, and cultural history.Cover image: Anne Wilson, To Cross (Walking New York), 2014. Site-specific performance and sculpture at The Drawing Center, NYC. Thread cross research. Photo: Christie Carlson/Anne Wilson Studio.
List of Plates p. x Notes on Contributors p. xvii Foreword p. xxvi Acknowledgements p. xxvii Theoretical Concepts Editorial Introduction p. 3 New Approaches to Textile Design p. 17 Views from Australia and the Asia Pacific p. 25 Curating Textiles: The Stuff That Matters p. 35 Textiles and Architecture p. 51 Patchworking Ways of Knowing and Making p. 65 Making Known: The Textiles Toolbox-Psychoanalysis of Nine Types of Textile Thinking p. 79 Textile, Narrative, Identity, Archives Editorial Introduction p. 97 Binding Autobiographies: A Jewishing Cloth p. 107 Materials, Memories and Metaphors: The Textile Self Re/collected p. 121 Archives of Cloth: Shadows of the Past in Re-visioning Textiles p. 137 Lived Lives: Materializing Stories of Young Irish Suicide p. 149 Textiles and Globalization Editorial Introduction p. 165 Performing Globalization in the Textile Industry: Anne Wilson and Mandy Cano Villalobos p. 169 Changing Perceptions of Curatorial Practice in South Asian and Commonwealth Textiles p. 187 Quilts for the Twenty-first Century: Activism in the Expanded Field of Quilting p. 197 Transforming Malaysian Handwoven Songket in the Contemporary World p. 211 Creative Resilience Thinking in Textiles and Fashion p. 225 Use Your Illusion: Dazzle, Deceit and the 'Vicious Problem' of Textiles and Fashion p. 241 Textiles and the Curatorial Turn Editorial Introduction p. 259 Curating Extreme Textiles: Designing for High Performance p. 269 Social Fabric: Textiles, Art, Society and Politics p. 279 Yuta Djama: Innovation in Australian Indigenous Fibre p. 293 Kaunas Biennial: Spindling from Textile Culture to Public Culture p. 309 A View from Elsewhere: A Global Stage - Curating Textiles from the Asia Pacific p. 319 Envisioning Fibre in the Cultural Heritage of Hangzhou, China p. 335 The Lausanne International Tapestry Biennials (1962-1995) p. 349 Textile Technologies and the Sensorial Turn Editorial Introduction p. 361 The Fabric of Memory: Towards the Ontology of Contemporary Textiles p. 367 Indigo Dyeing in the Land of its Origin: History Unknown p. 387 Feeling: Sensing the Affectivity of Emotional Politics through Textiles p. 401 Reviving Kapiak: Exploring the Material Identity of Barkcloth in a Melanesian Society p. 417 Developments in the Field of Textiles, Cloth and Culture Index p. 463