Konstfacks bibliotek

*00003664nam a22009857a 4500
*00139732
*00520150521030851.2
*008150504s2015    xxuo          000 0 eng c
*020  $a978-0-520-28569-9 (inb.)
*035  $a(SE-LIBR)17912662
*035  $a(Ko)44844
*040  $aKo
*084  $aInb-oba$2kssb/8
*1001 $aThrockmorton, Jodi
*24510$aPostdate :$bphotography and inherited history in India /$cJodi Throckmorton ; with Atreyee Gupta, Latika Gupta, Susan Krane and Raqs Media Collective
*260  $aSan Jose :$bSan Jose Museum of Art ;$aOakland, Cal. :$bUniversity of California Press,$c2015
*300  $a160 s. :$bill. ;$c30 cm
*650 7$aFotografi$2sao
*650 0$aPhotography
*651 4$aIndien$0https://libris.kb.se/mkz10nf529zbmt7#it$2gnd
*7001 $aGupta, Atreyee$4ctb
*7001 $aGupta, Latika$4ctb
*7001 $aKrane, Susan$4aui
*7102 $aRaqs Media Collective$4ctb
*841  $5Ko$ax  a$b150504||0000|||||001||||||000000$e1
*852  $5Ko$bKo$hFOTOGRAFI - Inb-o$lTHR
*950  $aFoto$uFotografi
*950  $aAmatörfotografi$wh$uFotografi
*950  $aArkitekturfotografi$wh$uFotografi
*950  $aAteljéfotografi$wh$uFotografi
*950  $aBildkomposition (fotografi)$wh$uFotografi
*950  $aCyanotypi$wh$uFotografi
*950  $aDigital fotografi$wh$uFotografi
*950  $aDokumentärfotografi$wh$uFotografi
*950  $aErotisk fotografi$wh$uFotografi
*950  $aFlygfotografi$wh$uFotografi
*950  $aFotocollage$wh$uFotografi
*950  $aFotografi och litteratur$wh$uFotografi
*950  $aFotografi som propaganda$wh$uFotografi
*950  $aFotojournalistik$wh$uFotografi
*950  $aFotokonst$wh$uFotografi
*950  $aFotomekanisk reproduktion$wh$uFotografi
*950  $aFotomontage$wh$uFotografi
*950  $aFototeknik$wh$uFotografi
*950  $aFototävlingar$wh$uFotografi
*950  $aFågelfotografi$wh$uFotografi
*950  $aFärgfotografi$wh$uFotografi
*950  $aGatufotografi$wh$uFotografi
*950  $aHålkamerafotografi$wh$uFotografi
*950  $aIscensatt fotografi$wh$uFotografi
*950  $aKalotypi$wh$uFotografi
*950  $wh$aKirlianfotografi$uFotografi
*950  $aKriminaltekniskt fotografi$wh$uFotografi
*950  $aLandskapsfotografi$wh$uFotografi
*950  $aModefotografi$wh$uFotografi
*950  $aNakenfotografi$wh$uFotografi
*950  $aNaturfotografi$wh$uFotografi
*950  $aNärbildsfotografi$wh$uFotografi
*950  $aPanoramafotografi$wh$uFotografi
*950  $aPolaroidfotografi$wh$uFotografi
*950  $aPorträttfotografi$wh$uFotografi
*950  $aPressfotografi$wh$uFotografi
*950  $aReklamfotografi$wh$uFotografi
*950  $aReportagefotografi$wh$uFotografi
*950  $aSnapshot (fotografi)$wh$uFotografi
*950  $aSportfotografi$wh$uFotografi
*950  $aStereofotografi$wh$uFotografi
*950  $wh$aSvartvitt fotografi$uFotografi
*950  $aTeaterfotografi$wh$uFotografi
*950  $aTeknisk fotografi$wh$uFotografi
*950  $aTelefotografi$wh$uFotografi
*950  $aUndervattensfotografi$wh$uFotografi
*950  $aVetenskaplig fotografi$wh$uFotografi
*950  $aVäxtfotografi$wh$uFotografi
*950  $aFotografisamlingar$uFotografi
*950  $aKonst$uFotografi
*951  $aBh₋arat$uIndien
*951  $aBh₋aratavarsha$uIndien
*951  $aBh₋arat Republic of India$uIndien
*951  $aIndien (stat)$uIndien
*951  $aRepublic of India (Bharat)$uIndien
*951  $aRepubliken Indien$uIndien
*951  $aFrämre Indien$uIndien
*951  $aBortre Indien$uIndien
^

Two generations after the exultation of Independence and the concurrent horrors of Partition, contemporary artists mine the uneasy history of photography in India as a means to challenge outmoded narratives, share hidden stories, and make personal connections with tradition. Taking history into their own hands, figures such as Nandan Ghiya, Gauri Gill, Jitish Kallat, Annu Palakunnathu Matthew, Madhuban Mitra and Manas Bhattacharya, Pushpamala N., Raqs Media Collective, Vivan Sundaram, and Surekha draw on a diverse range of sources, from ethnographic photographs made at the height of the British occupation to hand-painted studio portraits and stills from Bollywood movies. Weighing the influence of the global against the draw of the local, these artists embrace tradition and innovation as covalent rather than competitive forces. Marking the US debut of several of the featured artists, Postdate: Photography and Inherited History in India deepens our understanding of the legacy of colonialism and celebrates new and socially engaged modes of image-making in South Asia.



Published in association with the San Jose Museum of Art