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Titel och upphov Critical ethnography : method, ethics, and performance
Utgivning, distribution etc. Sage, Thousand Oaks, Calif. : cop. 2012
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Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehållsbeskrivning, sammanfattning "This text presents a fresh new look at critical ethnography by emphasizing the significance of ethics and performance in the art and politics of fieldwork. The book explores an ethics of ethnography while illustrating the relevance of performance ethnography across disciplinary boundaries. The new edition is comprehensive, incorporating more extended discussions on theories and methods, thereby providing the reader with a broad range of considerations and choices. It also includes chapters on visual culture and performance"-- Provided by publisher.
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ISBN 978-1-4129-8024-1 (pbk.) 1-4129-8024-0 (pbk.)
Antal i kö:
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*020 $a1-4129-8024-0 (pbk.)
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*1001 $aMadison, D. Soyini
*24510$aCritical ethnography :$bmethod, ethics, and performance /$cD. Soyini Madison
*250 $a2. ed.
*260 $aThousand Oaks, Calif. :$bSage,$ccop. 2012
*300 $axiv, 285 s. ;$c23 cm.
*504 $aIncludes bibliographical references and index.
*520 $a"This text presents a fresh new look at critical ethnography by emphasizing the significance of ethics and performance in the art and politics of fieldwork. The book explores an ethics of ethnography while illustrating the relevance of performance ethnography across disciplinary boundaries. The new edition is comprehensive, incorporating more extended discussions on theories and methods, thereby providing the reader with a broad range of considerations and choices. It also includes chapters on visual culture and performance"--$cProvided by publisher.
*599 $aDawson
*650 7$aEtnologi$xmetodik$2sao
*650 7$aAntropologi$xetik och moral$2sao
*650 0$aEthnology$xMethodology.
*650 0$aAnthropological ethics.
*650 0$aEthnology$xFieldwork.
*650 0$aEthnology$xMethodology
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*950 $aFrågelistor$wh$uEtnologi$xmetodik
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The revised Second Edition of Critical Ethnography guides readers through theories, methods, and ethics of ethnographic research creating a confidence to complete fieldwork while demonstrating analytical and theoretical depth. This text highlights the productive links between theory and method and how both become more valuable as they interact through fieldwork. Theoretical concepts range from queer theory, feminist theory, and critical race theory to Marxism and phenomenology. The methodological techniques range from designing and asking in-depth interview questions and developing rapport to coding and interpreting data. The various theories and methods culminate in three fictional ethnographic case studies that guide readers on how to incorporate theoretical concepts with their interpretations and data analysis.
Preface p. ix Acknowledgments p. xiii Introduction to Critical Ethnography: Theory and Method p. 1 Defining Terms: What Is the Critical in Critical Ethnography? p. 5 Dialogue and Others p. 10 The Method and Theory Nexus p. 13 Summary p. 15 Warm-Ups p. 17 Methods: "Do I Really Need a Method?" A Method ... or Deep Hanging Out? p. 19 "Who Am I?" Starting Where You Are p. 21 "Who Else Has Written About My Topic?" Being a Part of an Interpretive Community p. 22 The Power of Purpose: Bracketing Your Subject p. 22 Preparing for the Field: The Research Design and Lay Summary p. 24 The Research Design p. 24 The Lay Summary p. 25 Interviewing and Field Techniques p. 27 Formulating Questions p. 28 Two Classic Models p. 29 One: The Patton Model p. 29 Two: The Spradley Model p. 31 Extra Tips for Formulating Questions p. 33 More Models p. 33 Initial Brainstorming and Puzzlements p. 33 Memory and the Oral History Interview p. 34 Langellier and Peterson's Four Entry Points of Analysis p. 37 Attributes of the Interviewer and Building Rapport p. 39 Mindful Rapport p. 39 Anticipation p. 39 Positive Naïveness p. 39 Active Thinking and Sympathetic Listening p. 40 Status Difference p. 40 Patiently Probing p. 40 Classic "Threats" p. 41 Coding and Logging Data p. 43 An Alternative View: Amira De La Garza and the Four Seasons of Ethnography p. 45 Summary p. 49 Warm-Ups p. 49 Three Stories: Case Studies in Critical Ethnography p. 51 Local Activism in West Africa p. 52 Key Concepts in Postcolonial and Marxist Theory p. 52 Key Concepts in Postcolonialism p. 55 Key Concepts in Marxist Thought p. 62 Secrets, Sexuality, and Oral History p. 67 Key Concepts in Phenomenology p. 70 Subjectivity and Belonging p. 73 Biopolitics and Affect p. 75 Key Concepts in Sexuality p. 77 Community Theatre: Conflicts and Organization p. 81 Key Concepts in Theories of Difference: Race p. 84 Key Concepts in Theories of Difference: Gender p. 89 Problems of Gender in the Field: "Women Like Us and Women Not Like Us" p. 91 Warm-Ups p. 93 Ethics p. 95 Ethics Is ... p. 96 Religion and Ethics p. 102 Interview With Desmond Tutu p. 102 The Question of Freedom p. 107 Critical Ethnography and the Ethics of Reason, the Greater Good, and Others p. 109 Reason p. 109 The Greater Good p. 111 Maria Lugones: Contemporary Ethics, Ethnography, and Loving Perception p. 118 World Traveling and Loving Perception p. 118 Summary p. 123 Warm-Ups p. 125 Methods and Ethics p. 127 Codes of Ethics for Fieldwork p. 128 Code of Ethics of the American Anthropological Association p. 128 Extending the Codes p. 137 Moral Dilemmas p. 137 Conceptual Errors p. 140 Dialogical Performance p. 142 Warm-Ups p. 146 Methods and Application: Three Case Studies in Ethical Dilemmas p. 147 Local Activism in West Africa p. 147 Advocacy, Representation, and Voice p. 147 Method and Advocacy p. 151 Secrets, Sexuality, and Oral History p. 155 Trust, Confidentiality, and Informed Consent p. 155 Method and Confidentiality p. 158 Community Theatre: Conflicts and Organization p. 160 Fairness, Critical Judgment, and Policy Implications p. 160 Method and Criticism p. 161 Warm-Ups p. 163 Performance Ethnography p. 165 Foundational Concepts in Performance and Social Theory p. 166 Performance as Experience p. 166 Performance as Social Behavior p. 168 Performance as Language and Identity p. 177 Performativity p. 179 Utopian Performatives p. 182 The Performance Interventions of Dwight Conquergood p. 184 Process and Performance p. 184 The Body and Scriptocentrism p. 185 Dialogical Performance p. 186 Cultural Politics p. 187 Staging Ethnography and the Performance of Possibilities p. 190 The Subjects p. 191 The Audience p. 193 The Performers p. 195 Autoethnography and/or Reflexive Ethnography p. 197 Three Examples of Critical Reflexivity in Autoethnography p. 199 Warm-Ups p. 208 It's Time to Write: Writing as Performance p. 209 Getting Started: In Search of the Muse p. 210 Research Questions and Statement of Purpose p. 211 The Muse Map and the Road Map p. 211 Schedules and Time Management p. 213 First Draft and Free Writing p. 216 The Anxiety of Writing: Wild Mind and Monkey Mind p. 217 Continents, Islands, and the Editor p. 218 Writing as Performance and Performance as Writing p. 220 Performative Writing Is to Embrace p. 220 Performative Writing Is to Enact p. 223 Performative Writing Is to Embody p. 227 Performative Writing Is to Effect p. 230 Warm-Ups p. 232 The Case Studies p. 233 Staging Cultural Performance p. 233 Why Did Joan Choose to Adopt and Direct a Cultural Performance From Her Fieldwork? p. 234 How Did Joan Translate Her Fieldwork to the Stage? What Was Her Process? p. 234 What Stage Techniques Did Joan Adapt? p. 235 Did Joan Encourage a Collaborative Process in Directing the Performance? p. 237 Could Joan Have Employed a More Collaborative Approach? p. 238 Oral History and Performance p. 238 What Is Poetic Transcription? p. 239 Did Robert's Theoretical Analysis Threaten to Diminish the Living Voices and Perspectives of His Narrators? p. 242 The Fieldwork of Social Drama and Communitas p. 243 When Did the Breach Occur? p. 244 How Did the Crisis Evolve? p. 244 What Form Did Redressive Action Take? p. 245 How Did Communitas Invoke Reintegration? p. 246 Warm-Ups p. 248 References p. 249 Index p. 271 About the Author p. 285