Konstfacks bibliotek

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*020  $a978-1-78067-228-1 (inb.)
*035  $a(SE-LIBR)16938461
*035  $a(Ko)44063
*040  $aKo
*084  $aInb.6$2kssb/8
*1001 $aShore, Robert
*24510$aPost-photography :$bthe artist with a camera /$cRobert Shore
*260  $aLondon :$bLaurence King,$c2014
*300  $a272 s. :$bill.
*650 7$aFotokonst$2sao
*650 0$aPhotography, Artistic
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*852  $5Ko$bKo$hFOTOGRAFI - Inb.59
*950  $aFotografisk konst$uFotokonst
*950  $aKonstnärlig fotografi$uFotokonst
*950  $aFotografi$wg$uFotokonst
*950  $aKonst$wg$uFotokonst
*950  $aSnapshot (fotografi)$wh$uFotokonst
*950  $aFotokonstnärer$uFotokonst
^

The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before.

Found imagery has become increasingly important in post-photographic practice, with the internet serving as a laboratory for a major kind of image-making experimentation. But artists also continue to create entirely original works using avant-garde techniques drawn from both the digital and analogue eras.

This book is split into six sections - Something Borrowed, Something New, Layers of Reality, Eye-Spy, Material Visions, Post-Photojournalism and All the World Is Staged - which cover the key strategies adopted by 53 of the most exciting and innovative artist-photographers of the 21st century, drawn from all over the world.