Hylla
Personnamn
Titel och upphov Drawn to stitch : line, drawing and mark-making in textile art
Utgivning, distribution etc.
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 144 s. : illustrations (some color) ; 28 cm
Anmärkning: Innehåll Tools, materials and backgrounds -- Line drawing and textile processes -- Interpreting line quality: drawing and stitching -- Using line -- To conclude.
Term
ISBN 978-1-59668-233-7 (pbk.) 978-1-906388-80-5 1-59668-233-7 (pbk.)
Antal i kö:
*00001732nam a22005057i 4500
*00138795
*00520140415030847.8
*008101101t20102010coua b 001 0 eng c
*010 $a2010537099
*020 $a978-1-59668-233-7 (pbk.)
*020 $a978-1-906388-80-5
*020 $a1-59668-233-7 (pbk.)
*035 $a(SE-LIBR)13426790
*035 $a(Ko)43678
*040 $aBTCTA$beng$cBTCTA$dYDXCP$erda$dDAD$dORX$dDLC$dQ
*042 $alccopycat
*08204$a746.44$223/swe
*084 $aQccad$2kssb/8 (machine generated)
*1001 $aHedley, Gwen,$eauthor.
*24510$aDrawn to stitch :$bline, drawing and mark-making in textile art /$cGwen Hedley.
*260 $aLondon :$bBatsford,$c2010
*300 $a144 s. :$billustrations (some color) ;$c28 cm
*5050 $aTools, materials and backgrounds -- Line drawing and textile processes -- Interpreting line quality: drawing and stitching -- Using line -- To conclude.
*650 7$aBroderi$2sao
*650 0$aFiber work$xTechnique.
*650 0$aLine (Art)
*650 0$aTextile crafts.
*650 0$aEmbroidery
*841 $5Ko$ax a$b140326||0000|||||001||||||000000$e1
*852 $5Ko$bKo$hTEXTIL - Ihc
*950 $aSömmar$uBroderi
*950 $aBroderier$uBroderi
*950 $wh$aBysantinskt broderi$uBroderi
*950 $aHandarbete$wg$uBroderi
*950 $aHopdragssöm$wh$uBroderi
*950 $aHålsöm$wh$uBroderi
*950 $aKorsstygn$wh$uBroderi
*950 $aLandskapssöm$wh$uBroderi
*950 $aMärkning (handarbete)$wh$uBroderi
*950 $aSashiko$wh$uBroderi
*950 $aStramaljbroderi$wh$uBroderi
*950 $aTvistsöm$wh$uBroderi
*950 $aVitbroderi$wh$uBroderi
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
Line is an essential component of all textile and surface art. When used effectively, line and mark-making convey texture, tone, form, movement, and mood. With Drawn to Stitch by your side, learn creative uses of line in embroidery and textile art.
Artist and teacher Gwen Hedley shares a series of exercises designed to explore line's potential as well as develop your creativity. Drawn to Stitch also covers line and mark-making tools, materials, and processes, including printing and mixed-media techniques. Gwen explores stitch, explaining how to interpret different line qualities from crisp and sharp to soft and diffused and from raised and overlaid to recessed and inlaid.
Full of inspiring ideas, Drawn to Stitch is illustrated with stunning examples of stitched-textile work from leading artists.
Introduction Working with this Book Looking for line Looking for color Looking for texture Backgrounds, Materials and Tools Backgrounds Altering grounds Coloring grounds Drawing tools Supplementary art materials Line-Drawingand Mark-Making Processes Monoprinting Printing Lifting color Removing color Resisting color Exploratory marks Textile Processes Stitch as mark Line/design transfer Needle-felted lines and marks Fibrous grounds for stitch Interpreting Line Quality: Drawing and Stitching Crisp and sharp Soft and diffused Interrupted and implied Raised and overlaid Recessed and inlaid Using Line Line for texture and tone Line for form and dimension Line for mood To Conclude