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Titel och upphov Drama turgy and performance
Utgivning, distribution etc. Palgrave Macmillan, Basingstoke : 2008.
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
Serietitel - biuppslagsform
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Term
ISBN 978-1-4039-9656-5 (pbk.) 978-1-4039-9655-8 (hbk.) 1-4039-9655-5 (hbk.) 1-4039-9656-3 (pbk.)
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^
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There is a growing interest in "dramaturgy" as a critical concept and as a practical process.The book outlines different perspectives on the terms "dramaturgy" and "the dramaturg" and aims to introduce both concept and practice to those encountering the subject for the first time. Using case studies drawn from contemporary practice and suggesting areas of further study, the authors provide a strong insight into contemporary debates and new directions for the future.
Acknowledgements p. x General Editors' Preface p. xi Introduction p. 1 Dramaturgy p. 4 The Dramaturg p. 7 Why Now? p. 9 The Structure of the Book p. 11 What is Dramaturgy? p. 17 A Slippery Term p. 17 An Historical Perspective: Shaping a Dramaturgical Practice p. 19 Dramaturgical Analysis: Form and Content p. 25 The Weave of Performance p. 29 Dramaturgy and Context p. 34 Brecht's Productive Dramaturgy: From Emblem to 'Golden Motor' p. 38 The 'radical transformation' of the Theatre p. 38 Brecht's Dramaturgy: Re-contextualizing the Theatre p. 42 Brecht and the Dramaturg p. 55 Brecht as Dramaturg: Early Dialogues p. 57 Brecht's Dramaturgs: Later Dialogues p. 62 Names and Identities: Political Dramaturgies in Britain p. 70 'Radical Populism' or 'Carnival Agitprop' p. 72 'Brechtian Dramaturgy' and 'State-of-the-Nation' Plays p. 76 'Socialist Feminism' and a New 'Dialectical Dramaturgy' p. 80 'Radical Feminism' and the Discussion of a 'Women's' Dramaturgy p. 82 'Cultural Hybrids' p. 85 'New Dramaturgy' p. 90 The Dramaturg and the Theatre Institution p. 97 What is a Dramaturg? p. 98 Politics and Artistic Policy p. 103 The Dramaturg as Programmer p. 110 The Dramaturg as Educationalist and Go-between p. 113 The Freelance Dramaturg p. 116 The Multiple Roles of the Dramaturg p. 119 The Dramaturg and the Playwright p. 121 Definitions and UK Working Practices p. 121 The 'German' Dramaturg and the New Play p. 124 The Literary Manager and the British Playwright p. 127 The Dramaturg as Mentor or 'Buddy' p. 134 Writer Development and the Theatre Industry p. 136 European Influences on UK Practice p. 140 Conclusion p. 143 The Production Dramaturg p. 146 In Between p. 146 From Theory to Practice p. 149 Creating a Context p. 150 Pre-production p. 154 Attending Rehearsals p. 156 Casting - Shaping a Dramaturgy p. 159 The Dramaturg as Intermediary and Collaborator p. 160 The Production Dramaturg in Dance: An Emerging Field p. 165 Conclusion p. 166 The Dramaturg and Devising: Shaping a Dramaturgy p. 168 An Emerging Role p. 168 Beginnings p. 173 The Dramaturg as Map-maker and Compass-bearer p. 176 On-the-Spot Dramaturgy p. 180 Conclusion p. 181 Millennial Dramaturgies p. 187 The Real and the Represented p. 188 Getting the 'now' into the Text p. 190 The 'spatial turn' p. 195 Interactivity and New Technologies p. 198 Conclusion p. 202 Bibliography p. 204 Index p. 219