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Titel och upphov Process : material and representation in architecture
Utgivning, distribution etc. Routledge, New York : 2014
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ISBN 978-0-415-52263-2 (alk. paper) 978-0-415-52264-9 (alk. paper)
Antal i kö:
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*500 $aIncludes index.
*599 $aImported from: lx2.loc.gov:210/LCDB (Do not remove)
*650 0$aArchitectural design$vCase studies.
*650 0$aArchitecture$xComposition, proportion, etc .$vCase studies.
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This book examines the interrelationship of representational methods and material systems as fundamental drivers of the design process. Identifying four primary categories of representational logics - point, line, surface, mass - each category is illustrated through four precedent projects that deploy iterative material sensibilities. As a collection, this text provides a comprehensive categorization of the architectural design process.
Through the comprehensive definition of categorical typologies, it illustrates the collective capability of this conceptual methodology. By unpacking projects through their specific design devices, the collective analysis reveals the impact of material techniques and methods of representation as a generative tool. Broad in scope, it identifies and uniformly analyses some of the most significant projects from the last century, including:
UK Pavilion Shanghai - Heatherwick Studio, Shanghai,China Gatehouse - Office dA, Beijing, China Maison Colonial - Jean Prouve, France/Africa de Young Museum - Herzog and de Meuron, California USA Montreal Expo 67 - Buckminster Fuller, Montreal, Canada Jean Marie Tjibou Cultural Center - RPBW, Noumea, Indonesia House III - Peter Eisenman, New York, USA Barcelona Pavilion - Mies van der Rohe, Barcelona, Spain Tel Aviv - Scott Cohen, Tel Aviv, Israel Los Manantiales - Felix Candella, Mexico City, Mexico Yokahama Terminal - FOA, Yokahama, Japan Pantheon, Rome, Italy Tres Grand Bibliotheque - Rem Koolhaas, OMA, Paris, France Brother Claus Field Chapel - Peter Zumthor, Switzerland Embryonic House- Greg Lynn
Richly illustrated with consistent, clear and precise line drawings, the book presents a series of iconic precedents through a unique analytical and graphic sensibility.
Acknowledgements Preface Layout description Point Unit: UK Pavilion Shanghai - Heatherwick Studio, Shanghai, China Aggregation: Gatehouse - Office dA, Beijing, China Module: Maison Colonial - Jean Prouve, Africa/France Network:de Young Museum - Herzog and de Meuron, California, USA Line Stick/Member: Jean Marie Tjibou Cultural Center-RPBW, Noumea, Indonesia Grid: Faulk House - Peter Eisenman, New York, USA Frame/Cage: US Pavilion at Expo 67 - Buckminster Fuller Field Effect: Kimbell Art Museum - louis I. Kahn Surface Wall: Barcelona Pavilion - Mies van der Rohe, Barcelona, Spain Facet: Tel Aviv - Scott Cohen, Tel Aviv, Israel Shell: Los Manantiales - Felix Candella, Mexico City, Mexico Serial: Yokahama Terminal-FOA, Yokahama, Japan Mass Cast/Solid: Pantheon, Rome, Italy Postscript Void: Tres Grand Bibliotheque - Rem Koolhaas, OMA, Paris, France Inversion: Brother Claus Field Chapel - Peter Zumthor, Switzerland Series: Monument to the Murdered Jews - Peter Eisenman Postscript Index