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Titel och upphov Anywhere or not at all : philosophy of contemporary art
Utgivning, distribution etc. Verso Books, Brooklyn, New York : 2013
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DDC klassifikationskod (Dewey Decimal Classification)
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Upplaga First edition, paperback.
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Term
ISBN 978-1-78168-094-0 (pbk. : alk. paper) 978-1-78168-113-8 (cloth : alk. paper)
Antal i kö:
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A new reading of the philosophy of contemporary art by the author of The Politics of Time
Contemporary art is the object of inflated and widely divergent claims. But what kind of discourse can open it up effectively to critical analysis? Anywhere or Not at All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Developing the position that "contemporary art is postconceptual art," the book progresses through a dual series of conceptual constructions and interpretations of particular works to assess the art from a number of perspectives: contemporaneity and its global context; art against aesthetic; the Romantic pre-history of conceptual art; the multiplicity of modernisms; transcategoriality; conceptual abstraction; photographic ontology; digitalization; and the institutional and existential complexities of art-space and art-time. Anywhere or Not at All maps out the conceptual space for an art that is both critical and contemporary in the era of global capitalism.
Winner of the 2014 Annual Book Prize of the Association for the Study of the Arts of the Present (USA)
Introduction p. 1 The fiction of the contemporary p. 15 Together in time? three periodizations of contemporary art idea, problem, fiction, task the global transnational, or, the contemporary today Joseph Bitar fictionalization of artistic authority/collectivization of artistic fictions: a First Transnational Art beyond aesthetics p. 37 Art versus aesthetics (Jena Romanticism contra Kant) periodization as historical ontology: postconceptual art a speculative proposition an image of romanticism (Benjamin, Schlegel, Lewitt) fragment and sentence information and series process and project Modernisms and mediations p. 71 The double heritage of the modern in art artistic modernisms: aesthetic, specific, generic mediations after mediums: nominalism and genre, isms and series everything, everywhere? Polke and Richter Transcategoriality: postconceptual art p. 99 Smithson and medium (or, against 'sculpture') the 'interminable avalanche of categories' ontology of materializations: non-site conceptual abstraction and 'pure perception' Photographic ontology, infinite exchange p. 117 Distributive unity the photograph: metonymic model of an imagined unity digitalization, art and the real (or, anxiety about abstraction) the visible, the invisible and the multiplication of visualizations Art space p. 133 Non-places and the textualization of art architecturalization: three questions construction and expression art as displaced urbanism: capitalist constructivism of the exhibition-form transnationalization: art industry project space Art time p. 175 Attention and distraction: boredom as possibility distracted reception (duration and rhythm) memory or history? testimonies: three works expectation as a historical category (critique of Koselleck) expecting the unexpected: puncturing the horizon Acknowledgements p. 213 Notes p. 215 Bibliography p. 255 Image credits p. 271 Index p. 273