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Utgivning, distribution etc. Oxford University Press, Oxford ; New York : 2013
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DDC klassifikationskod (Dewey Decimal Classification)
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Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
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ISBN 978-0-19-996436-9 (hardcover : alk. paper) 0-19-996436-X (hardcover : alk. paper)
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The Aesthetics of Design offers the first full treatment of design in the field of philosophical aesthetics. Aesthetic theory has traditionally occupied itself with fine art in all its forms, sometimes with craft, and often with notions of beauty and sublimity in art and nature. In so doing, it has largely ignored the quotidian and familiar objects and experiences that make up our daily lives. Yet how we interact with design involves aesthetic choices and judgements as well as practical, cognitive and moral considerations. This work challenges the discipline to broaden its scope to include design, and illustrates how aesthetics helps define our human concerns.Subjecting design to as rigorous a treatment as any other aesthetic object exposes it to three main challenges that form the core of this book. First, design must be distinguished from art and craft as a unique kind of object meriting separate philosophical attention, and is here defined in part by its functional qualities. Second, the experience of design must be defended as having a particularly aesthetic nature. Here Forsey adapts the Kantian notion of dependent beauty to provide a model for our appreciation of design as different from our judgments of art, craft and natural beauty. Finally, design is important for aesthetics and philosophy as a whole in that it is implicated in broader human concerns. Forsey situates her theory of design as a constructive contribution to the recent movement of Everyday Aesthetics, which seeks to re-enfranchise philosophical aesthetics as an important part of philosophy at large.
Acknowledgments p. ix Introduction p. 1 The Ontology of Design p. 9 Some Methodological Considerations p. 9 Intuitions about Design p. 15 Design and Art, Design and Craft p. 23 Formalism and Art as an Object p. 23 Expression and Art as an Activity p. 44 The Definition of Design p. 67 Locating the Aesthetic: Beauty and Judgements of Taste p. 72 The Problem of Normativity p. 77 Aesthetic Realism p. 80 Aesthetic Subjectivism p. 84 Aesthetic Judgement p. 90 The Kantian Account p. 103 The Faculty of Judgement p. 105 The Subjective Aspect of Beauty p. 109 The Objective Aspect of Beauty p. 119 Normative Beauty p. 131 Design and Dependent Beauty p. 137 Free Beauty p. 141 Dependent Beauty p. 144 Beautiful Things p. 144 Pure and Impure Judgements of Taste p. 149 The Appreciation of Function p. 161 Fine Art and Craft p. 172 The Beauty of Design p. 181 Everyday Aesthetics and Design p. 193 The Critique of Aesthetics p. 194 The Expansion of Aesthetics p. 200 Saito: Activity, Pleasure, Indeterminacy p. 203 Haapala: The Strange, the Familiar, and the Sense of Place p. 223 Design and the Everyday p. 236 Conclusion: The Significance of Design p. 244 Bibliography p. 253 Index p. 265