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Varianttitel
Utgivning, distribution etc. JRP/Ringier ; [distributor] ARTBOOK/D.A.P., Zurich : New York, NY : [2011]
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 63 p. : col. ill. ; 17 cm.
Serietitel - ej biuppslagsform
Seriebiuppslag under titel
Serietitel - biuppslagsform
Anmärkning: Allmän Published on the occasion of the touring exhibition, Sgrafo vs. fat lava: ceramics and porcelains made in West Germany, 1960-1980, organized by Centre d'édition contemporaine, Geneva.
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehåll Proust's madeleine and Fat Lava / Nicolas Trembley -- Form, color, and decoration : an overview / Horst Makus -- Interview with Ronan Bouroullec / Nicolas Trembley.
Term
Institutionsnamn
ISBN 978-3-03-764277-1 3-03-764277-7
Antal i kö:
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*300 $a63 p. :$bcol. ill. ;$c17 cm.
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*500 $aPublished on the occasion of the touring exhibition, Sgrafo vs. fat lava: ceramics and porcelains made in West Germany, 1960-1980, organized by Centre d'édition contemporaine, Geneva.
*504 $aIncludes bibliographical references.
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*650 0$aPorcelain, German$y20th century.
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*650 0$aGlazing (Ceramics)$y20th century.
*650 7$aKeramik$zTyskland$y1900-talet$2sao
*7001 $aTrembley, Nicolas.
*7001 $aBouroullec, Ronan,$d1971-
*7001 $aMakus, Horst.
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From Raymond Loewy's austere "Form 2000" teapot set of the mid-1950s to the Sgrafo vases of the 1960s and the improbable "Fat Lava" glacis of the 1970s, postwar German ceramics exhibited a tremendous stylistic diversity, mixing references to Op art, geometric abstraction, the funky, angular designs of Werner Panton and the biomorphism of hippie aesthetics. Both famed and anonymous designers translated the various aspirations of a postwar Germany under reconstruction into exaggerated, semi-futuristic shapes, as well as pursuing cooler, more stripped down effects. Sgrafo vs. Fat Lava explores this fertile tension in German ceramics, with reproductions of relevant works, an essay by the ceramics specialist Horst Markus and an interview with designer Ronan Bouroullec.