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Utgivning, distribution etc. Imprint Academic, Thorverton : 1999
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*008120427s1999 xxk 001 0 eng c
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*440 $aJournal of consciousness studies,$x1355-8250 ;$v6, no. 6-7
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*650 7$aHjärna $2sao
*650 7$aNeuropsykologi$2sao
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*650 0$aBrain
*650 0$aNeuropsychology
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*7001 $aMyin, Erik$4edt
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*950 $aKonst$xmottagande$uKonstreception
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*950 $aNeurolingvistik$wh$uNeuropsykologi
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First of a three-volume series of the "Journal of Consciousness Studies", which asks if it is possible to take a natural science approach to art and uncover general laws of aesthetic experience, or is that taking reductionism too far?
About Authors p. 3 Special Feature on 'Art and the Brain' Editorial Introduction p. 5 The Science of Art: A neurological theory of aesthetic experience p. 15 Commentary on Ramachandran and Hirstein p. 52 Peak Shift, Prototypicality and Aesthetic Experience Object Hypotheses in Visual Perception: David Marr or Cruella de Ville? It Don't Mean a Thing if it Ain't Got that Swing Art Must Move: Emotion and the biology of beauty Of Time and Beauty Response to Ramachandran and Hirstein What Information is Given by a Veil? Response to Ramachandran and Hirstein Author's Response Art and the Brain p. 76 The Emergence of Art and Language in the Human Brain p. 97 Cave Art, Autism, and the Evolution of the Human Mind p. 116 Commentary on Humphrey Commentators p. 123 Author's Response On Aesthetic Perception p. 144 The Dance Form Of The Eyes: What cognitive science can learn from art p. 161 Emotion and Consciousness Emotion and Phylogeny p. 176 Consciousness and Emotion (Review of Panksepp) p. 191 Obituary Opinion Ethics Are Intrinsic To Consciousness Science p. 202 Announcements Supplementary Issues of Journal of Consciousness Studies p. 207