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Titel och upphov The influencing machine : Brooke Glad stone on the media
Utgivning, distribution etc. W.W. Norton, New York : c2011
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
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Fysisk beskrivning xxii, 170 p. : ill. (chiefly col.) ; 24 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references (p. 163-170).
Anmärkning: Innehåll In the beginning -- The American exception -- Existential angst -- Canis journalisticus -- Birds on a wire -- News you can't use -- The great refusal -- Bias -- War -- Objectivity -- Disclosure -- The matrix in me -- The influencing machines -- Um, panic? -- I, robot -- I media.
Anmärkning: Innehållsbeskrivning, sammanfattning The cohost of NPR's "On the Media" narrates, in cartoon form, two millennia of history of the influence of the media on the populace, from newspapers in Caesar's Rome to the penny press of the American Revolution to today.
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ISBN 978-0-393-07779-7 (hbk.) 0-393-07779-9 (hbk.)
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*504 $aIncludes bibliographical references (p. 163-170).
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*60010$aGlad stone, Brooke$vComic books, strips, etc.
*650 0$aJournalism$vComic books, strips, etc.
*650 0$aBroadcast journalism$vComic books, strips, etc.
*655 0$aGraphic novels.
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*7001 $aJones, Susann.
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^
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Nearly one million weekly listeners trust NPR's Brooke Gladstone to guide them through the distortions and complexities of the modern media. This brilliant radio personality now bursts onto the page as an illustrated character in vivid comics drawn by acclaimed artist Josh Neufeld. The cartoon of Brooke conducts the reader through two millennia of history-from the newspapers in Caesar's Rome to the penny press of the American Revolution and the manipulations of contemporary journalism. Gladstone's manifesto debunks the notion that "The Media" is an external force, outside of our control, since we've begun directly constructing, filtering, and responding to what we watch and read. With fascinating digressions, sobering anecdotes, and brave analytical wit, The Influencing Machine equips us to be smart, savvy, informed consumers and shapers of the media. It shows that we have met the media and it is us. So now what?