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Titel och upphov Discographies : dance music, culture, and the politics of sound
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Automatiskt genererade ämnesord (BURK) Musik Jazz Rock Populärmusik Musik Jazz Rock Populärmusik
ISBN 0-415-17032-X ; 0-415-17033-8 (pbk.) ;
Antal i kö:
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*008111212s1999 xxk 000 0 eng c
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*020 $a0-415-17033-8 (pbk.) ;$c£12.99
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*1001 $aGilbert , Jeremy
*24500$aDiscographies :$bdance music, culture, and the politics of sound /$cJeremy Gilbert and Ewan Pearson
*260 $aLondon :$bRoutledge,$c1999
*300 $a195 s.
*650 7$aDance music$xHistory and criticism$y20th century$2BNB
*650 7$aDance music$xSocial aspects$2BNB
*650 7$aMusic and society$2BNB
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*852 $5Ko$bKo$hMUSIK - Ij
*976 2$aIjxfe$bMusik Jazz Rock Populärmusik
*976 2$aIjxne$bMusik Jazz Rock Populärmusik
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Experiencing disco, hip hop, house, techno, drum 'n' bass and garage, Discographies plots a course through the transatlantic dance scene of the last last twenty-five years. It discusses the problems posed by contemporary dance culture of both academic and cultural study and finds these origins in the history of opposition to music as a source of sensory pleasure. Discussing such issues as technology, club space. drugs, the musical body, gender, sexuality and pleasure, Discographies explores the ecstatic experiences at the heart of contemporary dance culture. It suggests why politicians and agencies as diverse as the independent music press and public broadcasting should be so hostile to this cultural phenomenon.
Preface p. vii Acknowledgements p. x The tribal rites of Saturday night: Discos and intellectuals p. 1 Music, meaning and pleasure: From Plato to disco p. 38 The metaphysics of music p. 54 Take your partner by the hand: Dance music, gender and sexuality p. 83 Metal machine musics: Technology, subjectivity and reception p. 110 No music, no dancing: Capitalist modernity and the legacy of Puritanism p. 146 The politics of popular culture p. 158 Bibliography p. 187 Index p. 193