Hylla
Personnamn
Titel och upphov The theater of truth : the ideology of (neo)baroque aesthetics
Utgivning, distribution etc. Stanford University Press, Stanford, Calif. : c2010
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references (p. [131]-161) and index.
Anmärkning: Innehåll Of baroque holes and baroque folds -- How to build a baroque house (Cervantes, master architect) -- The theater of truth -- The opacity of language and the transparency of being : on Góngora's poetics -- The corporeal image and the new world baroque -- The dream life of Calderón and Borges -- The world well dressed : the later cinema of Pedro Almodóvar.
Term
Geografiskt namn
ISBN 978-0-8047-6954-9 (cloth : alk. paper) 0-8047-6954-0 (cloth : alk. paper)
Antal i kö:
*00002162nam a22005534a 4500
*00136410
*00520111207095207.0
*008111130s2010 xxu b 001 0 eng c
*010 $a2009022164
*015 $aGBB099772$2bnb
*0167 $a015536795$2Uk
*0167 $a015631028$2Uk
*020 $a978-0-8047-6954-9 (cloth : alk. paper)
*020 $a0-8047-6954-0 (cloth : alk. paper)
*0248 $a40017601020
*035 $a(SE-LIBR)12322563
*035 $a(Ko)40769
*040 $aCSt/DLC$cDLC$dYDX$dCDX$dYDXCP$dYUS$dBWX$dUKM$dIG#$dNLGGC$dDEBBG$dUKMGB$dMIX
*042 $apcc
*05000$aPQ6066$b.E39 2010
*08200$a860.9/1$222
*084 $a08.41$2bcl
*084 $a18.30$2bcl
*084 $aIO 2170$2rvk
*084 $aDf$2kssb/8
*084 $aG.42$2kssb/8
*1001 $aEgginton, William,$d1969-
*24514$aThe theater of truth :$bthe ideology of (neo)baroque aesthetics /$cWilliam Egginton
*260 $aStanford, Calif. :$bStanford University Press,$cc2010
*300 $aviii, 170 p. ;$c24 cm.
*504 $aIncludes bibliographical references (p. [131]-161) and index.
*5050 $aOf baroque holes and baroque folds -- How to build a baroque house (Cervantes, master architect) -- The theater of truth -- The opacity of language and the transparency of being : on Góngora's poetics -- The corporeal image and the new world baroque -- The dream life of Calderón and Borges -- The world well dressed : the later cinema of Pedro Almodóvar.
*650 7$aBarocklitteratur$xestetik$2sao
*650 0$aSpanish literature $yClassical period, 1500-1700$xHistory and criticism.
*650 0$aBaroque literature $xHistory and criticism.
*650 0$aSpanish American literature $y20th century$xHistory and criticism.
*650 0$aTruth (Aesthetics)
*650 0$aAesthetics, Modern.
*65017$aBarok$2gtt
*65017$aNeobarok$2gtt
*65017$aEsthetica$2gtt
*65007$aBarock.$2swd
*65007$aDrama.$2swd
*65007$aNeubarock.$2swd
*651 7$aSpanisch.$2swd
*841 $5Ko$ax a$b1111304u 8 1001uu 0901128$e4
*852 $5Ko$bKo$hDf
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
The Theater of Truth argues that seventeenth-century baroque and twentieth-century neobaroque aesthetics have to be understood as part of the same complex. The Neobaroque, rather than being a return to the stylistic practices of a particular time and place, should be described as the continuation of a cultural strategy produced as a response to a specific problem of thought that has beset Europe and the colonial world since early modernity. This problem, in its simplest philosophical form, concerns the paradoxical relation between appearances and what they represent. Egginton explores expressions of this problem in the art and literature of the Hispanic Baroques, new and old. He shows how the strategies of these two Baroques emerged in the political and social world of the Spanish Empire, and how they continue to be deployed in the cultural politics of the present. Further, he offers a unified theory for the relation between the two Baroques and a new vocabulary for distinguishing between their ideological values.
Introduction: The Baroque as a Problem of Thought p. 1 Of Baroque Holes and Baroque Folds p. 11 How to Build a Baroque House (Cervantes, Master Architect) p. 26 The Theater of Truth p. 39 The Opacity of Language and the Transparency of Being: On Góngora's Poetics p. 56 The Corporeal Image and the New World Baroque p. 69 The Dream Life of Calderón and Borges p. 85 The World Well Dressed: The Later Cinema of Pedro Almodóvar p. 107 Epilogue: A New Distinction p. 127 Notes p. 131 Works Cited p. 149 Index p. 163