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Varianttitel
Utgivning, distribution etc. Continuum, London : cop. 2008
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning viii, 179 s., 16 pl.-s. i färg : ill.
Serietitel - ej biuppslagsform
Anmärkning: Innehåll Paint ing and philosophy -- A window onto the world -- Surface and subject -- Resemblance and denotation -- Pictorial style -- Modernism and the avant-garde.
Term
ISBN 0-8264-8520-0 (inb.) 0-8264-8521-9 (hft.) 978-0-8264-8520-5 (inb.) 978-0-8264-8521-2 (hft.)
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^
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Aesthetics and Painting introduces and opens up current debates and ideas in the aesthetics of painting. At the book's center is an investigation of the complex relationship between what a painting depicts and the means by which it is depicted. The book looks at: how and why painting may be distinguished from other art forms; the relationship between the painted surface and the depicted subject; the "rules of representation" specific to painting; abstract art and nonrepresentational painting; the most recent technological and aesthetic developments and their implications; the role of the artist-and that of the spectator. A sophisticated treatment of major ideas in art and philosophy, Aesthetics and Painting remains highly readable throughout, offering a clear and coherent account of the nature of painting as an art form.
List of Illustrations p. vii Acknowledgements p. viii Painting and Philosophy p. 1 The relevance of philosophy p. 1 The practice of painting p. 5 A preliminary definition p. 8 Two requirements p. 13 A Window onto the World p. 16 Art and imitation p. 16 Alberti's On Painting p. 21 Plato's theory of mimesis p. 27 Ideal form and sensory knowledge p. 33 Surface and Subject p. 38 Two forms of awareness p. 38 Sustaining illusion p. 40 Ambiguity and pictorial representation p. 46 Representational seeing p. 53 Strong twofoldness p. 58 Resemblance and Denotation p. 63 Pictorial signs p. 63 A symbol theory of art p. 70 Rules and conventions p. 77 Seeing and reading p. 83 Pictorial Style p. 91 The problem of style p. 93 Individual and general style p. 97 The specifically visual p. 102 A logic of depiction p. 106 Wolfflin's history of vision p. 111 Modernism and the Avant-Garde p. 116 The limits of formalism p. 116 Greenberg's theory of modernism p. 124 Abstraction and the easel picture p. 131 Contemporary challenges p. 137 Notes p. 144 Bibliography p. 165 Index p. 175