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Utgivning, distribution etc. MIT Press , Cambridge, Mass. ; 2011 : c2011
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning xxix, 178 p. : ill. (chiefly col.) : 26 cm.
Anmärkning: Innehåll Introduction : some nonobject(ive) reflections on the nonobject -- New dimensions -- Hypersensory -- Impossibles -- Rawphisticated -- Natura -- 90 degrees -- Touch -- Overclocked -- Superpractical -- Personal -- Inner -- Postintuitive -- Sketchology.
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Term
ISBN 9780262014847 (hardcover : alk. paper) 9780262014847 026201484X (hardcover : alk. paper) 026201484X
Antal i kö:
*00001413nam a22003857a 4500
*00129194
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*007|||||||||||||||||||||||
*008110824s2010 xxua | 000 0 eng||
*020 $a9780262014847 (hardcover : alk. paper)
*020 $a9780262014847
*020 $a026201484X (hardcover : alk. paper)
*020 $a026201484X
*035 $a(Ko)33422
*040 $dDLC$dDLC$dYDXCP$dUKM$dERASA$dC#P$dBWX$dCDX
*084 $aIhb:d
*084 $aQz Nonobject Studio
*1001 $aLukic, Branko
*24510$aNonobject /$cBranko Lukic ; with text by Barry M. Katz ; foreword by Bill Moggridge
*260 $aCambridge, Mass. ;$a2011 :$bMIT Press ,$cc2011
*300 $axxix, 178 p. :$bill. (chiefly col.) :$c26 cm.
*505 $tIntroduction : some nonobject(ive) reflections on the nonobject -- New dimensions -- Hypersensory -- Impossibles -- Rawphisticated -- Natura -- 90 degrees -- Touch -- Overclocked -- Superpractical -- Personal -- Inner -- Postintuitive -- Sketchology.
*61024$aNonobject Studio
*650 4$aDesign
*650 4$aPhilosophy.
*650 4$aPsychological aspects.
*650 4$aConsumer goods
*650 4$apsykologiska aspekter
*650 4$ateori, filosofi
*7001 $aKatz, Barry$4aut
*8520 $hDESIGN - Ih:d
^
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The "objective" world is one of facts, data, and actuality. The world of the "nonobject" is about perception, experience, and possibility. In this highly original and visually extravant book, Branko Lukic (an award-winning designer) and Barry Katz (an authority on the history and philosophy of design) imagine what would happen if design started not from the object but from the space between people and the objects they use. The "nonobject," they explain, is the designer's personal experiment to explore our relation to the observable world. So they show us an umbrella that puts us in a harmonious relationship with nature by sending falling rain rushing through the handle from an upturned top that resembles a flower; a spoon with a myriad of tiny bowls that allow us to savor our soup; a "superpractical" cell phone with keypad, speaker, and microphone on every surface. They imagine the ideal material, "Thinium," incredibly thin and incredibly strong, environmentally and aesthetically beneficial. They show us clocks and watches that free us from time told by artificial demarcation and consider the possibility of a digital camera that captures the part of the scene we didn't see. In NONOBJECT , product design meets philosophy, poetry, and the theater of the imagination. The nonobject fills us with surprise and delight.