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Titel och upphov A history of Swedish experimental film culture : from early animation to video art
Utgivning, distribution etc. National Library of Sweden ; Stockholm : New Barnet, Herts : J[ohn] L[ibbey], 2010 (Värnamo : Fälth & Hässler)
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Fysisk beskrivning 248 s. : ill. (vissa i färg) ; 23 cm
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ISBN
Antal i kö:
*00001915nam a2200469 a 4500
*00128955
*00520131213065350.7
*008100910s2010 sw |||| |00| | eng c
*020 $a978-0-86196-699-8
*035 $a(SE-LIBR)11908340
*035 $a(Ko)33169
*040 $aU$dSfi$dS
*042 $9NB
*044 $asw$axxk
*082 $a791.4309485$222
*084 $aF771(485)$2fiaf/2
*084 $aImbah-c$2kssb/8
*1001 $aAndersson, Lars Gustaf,$d1960-
*24512$aA history of Swedish experimental film culture :$bfrom early animation to video art /$cLars Gustaf Andersson, John Sundholm, Astrid Söderbergh Widding
*260 $aStockholm :$bNational Library of Sweden ;$aNew Barnet, Herts : J[ohn] L[ibbey],$c2010$e(Värnamo :$fFälth & Hässler)
*300 $a248 s. :$bill. (vissa i färg) ;$c23 cm
*4900 $aMediehistoriskt arkiv ,$x1654-6601 ;$v17
*504 $aIndex
*650 7$aVideokonst, Sverige$2sfit
*650 7$aExperimentfilm, Sverige$2sfit
*650 7$aExperimentfilm$xhistoria$zSverige$2sao
*7001 $aSundholm, John,$d1964-
*7001 $aWidding, Astrid Söderbergh,$d1963-
*7102 $aKungl. biblioteket$4pbl
*841 $5Ko$ax a$b1011294u 8 1001uu 0901128$e4
*852 $5Ko$bKo$hKONST - Ibhe
*910 $aSverige.$bKungl. biblioteket$uKungl. biblioteket
*910 $aKB$uKungl. biblioteket
*910 $aKungliga biblioteket$uKungl. biblioteket
*910 $aKungl. biblioteket - National Library of Sweden$uKungl. biblioteket
*910 $aBibliotheca regia Stockholmiensis$uKungl. biblioteket
*910 $aNational Library of Sweden$uKungl. biblioteket
*910 $aSveriges nationalbibliotek$uKungl. biblioteket
*910 $aKönigl. Bibliothek (Stockholm)$uKungl. biblioteket
*910 $aThe Royal Library$uKungl. biblioteket
*910 $aRoyal Library$uKungl. biblioteket
*910 $aBiblioteca Real de Suecia$uKungl. biblioteket
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This first-ever study of Swedish experimental film represents the results of a Swedish Research Council initiative in 2006-2008. The essays address the institutions, filmmakers, and films important to the history of experimental film in Sweden, and place this history in larger artistic and socio-cultural contexts. The authors look at the work of the Independent Film Group, regional Fluxus groups, E.A.T., and figures such as Viking Eggeling, Rune Hagberg, Pontus Hultén, Öyvind Fahlström, Leo Reis, Bo Jonsson, and Åke Karlung.
Acknowledgements p. 8 The Writing of a History of Swedish Experimental Film p. 10 Minor Histories of Minor Cinemas p. 11 Minor Cinemas and Experimental Film p. 11 Discourse Analysis and Historiography p. 13 New Film History and Emergent Film Histories p. 14 Practices of Closure: Culture and Memory p. 16 Experimental Film and Intermediality p. 19 National or International Cinema? p. 23 Swedish Experimental Film until the 1950s: The Pre-History from Cartoon to Feature Film p. 28 Film Culture and Experimental Cinema p. 29 The European Context and the Swedish Condition p. 30 Animation Culture: Victor Bergdahl and Early Animation p. 31 Reluctant Modernism: The Swedish Artists and the European Modernist Movement p. 34 Viking Eggeling and the Quest for Universal Language p. 36 The Lost Arabesques of Reinhold Holtermann p. 41 Early Film Criticism and Theory p. 43 Young Writers, Early Cinephilia and the Cinema p. 45 The Film Society Movement and the Film Journals p. 51 "Experimental Film is Dead, Long Live Experimental Film!" p. 55 Gerd Osten: Interlude with Dance p. 57 Gosta Werner: Cinephilia and the Art of the Craft p. 59 Arne Sucksdorff: Documentarist in a Poetic Mode p. 61 Rune Hagberg: Film Noir and Post-War Angst p. 63 The Aporias of Early Experimental Film Culture in Sweden p. 66 The Emergence of Experimental Film p. 68 Arbetsgruppen för film/The Independent Film Group p. 69 Eivor Burbeck and Råland Häggbom: Early Film Production at The Independent Film Group p. 73 The Discourse on Amateur and Experimental Film p. 75 Peter Weiss: Resistance and Underground p. 79 Kinetic Art and Moderna Museet p. 87 Pontus Hultén and his Companions: Chance and Play p. 91 A New Venue for Film: The Opening of Moderna Museet p. 98 The Art Movements of the 1960s: Film and the Art Scene p. 100 Billy Klüver and the New Art of the 1960s p. 101 Venues of the Avant-garde: Fylkingen, Pistolteatern and Marionetteatern p. 102 Regional Avant-garde and Beyond p. 104 Carl Slättne and the Poetry of Politics and Place p. 106 Music and Film p. 108 The Creative Producer and his Director p. 113 The Expanded Field of Experimental Film p. 115 Jan Håfström and Claes Söderquist: Matter and Memory p. 117 The Extension of Independent Film Production p. 122 A New Form of Support: State Funding and the Swedish Film Institute p. 123 Leo Reis and Optical Architecture p. 124 Bo Jonsson and His Contemporaries at the Film School p. 125 Multimedia and Performance Art: Åke Karlung, Öyvind Fahlström p. 129 Pre- and post-1968: Peter Kylberg and the Making of Experimental Features p. 137 The Swedish Reception of New American Cinema p. 142 The Changing Landscape of Independent Film Production p. 145 FilmCentrum/Film Centre: A Political Avant-garde p. 146 The (Re)Turn to Documentary p. 153 Filmverkstan/The Film Workshop: Film as Public Sphere p. 154 Films and Filmmakers at the Film Workshop p. 158 The Rise of Animation p. 160 Experimental Animation and the Aesthetics of Immersion: Olle Hedman p. 162 Gunvor Nelson and the Unboundedness of the Moving Image p. 167 The Expanded Field of the Experimental Moving Image p. 178 The Emergence of Video Art p. 179 Institutional Frames for a New Art Form p. 182 From Documenting Technique to Art Form p. 187 Ann-Sofi Sidén: Explorations into the History of Mentality p. 190 Returns and Openings p. 194 Bibliography p. 198 Endnotes p. 212 Name Index p. 236 Film Index p. 244