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Titel och upphov Good : an introduction to ethics in graphic design
Utgivning, distribution etc. AVA Publ. , Lausanne ; 2006 : c2006
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 199 p. : ill. (some col.) : 30 cm.
Anmärkning: Allmän Includes bibliographical references (p. 195) and index.
Term
ISBN 978-2-940373-14-7 (pbk.) 978-2-940373-14-7
Antal i kö:
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*020 $a978-2-940373-14-7 (pbk.)
*020 $a978-2-940373-14-7
*035 $a(Ko)32875
*040 $dUKM$dUKM$dMhs
*084 $aIfq
*084 $aDgi
*1001 $aRoberts, Lucienne
*24510$aGood :$ban introduction to ethics in graphic design /$cLucienne Roberts
*260 $aLausanne ;$a2006 :$bAVA Publ. ,$cc2006
*300 $a199 p. :$bill. (some col.) :$c30 cm.
*500 $aIncludes bibliographical references (p. 195) and index.
*650 4$aGrafisk formgivning
*650 4$aetik och moral
*650 4$aGraphic arts
*650 4$aMoral and ethical aspects.
*697 $cBruksgrafik
*697 $cEtik
*8520 $hGRAFISK DESIGN - Ifq:d
^
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Consider this simple conundrum- is it possible to be a bad good designer or a good bad designer for that matter? If the answer is yes then which is preferable and what does this reveal about the relationship between ethics and design practice? Good- An Introduction to Ethics in Graphic Design seeks to answer these questions. Graphic design is in ethical flux. Good comes at a time of growing disenchantment with style-led design solutions and the pursuit of self-expression alone and yet vacuous design judgements are still made without any real analysis of the criteria used. The terms good and bad are repeatedly applied without qualification whilst the relationship between personal and professional ethics is far too contentious to do any more than give cursory consideration. Despite recent manifestos and themed publications on design for good graphic designers have yet to examine what such terms really mean- in a time of relativism it has been far too divisive to do so. Good takes philosophy as its starting point but is not a philosophy book. It seeks to marry abstract ideas with practical application, removing some of the mystique that surrounds philosophy and highlighting its relevance for us all. Designers are people. This book seeks to engage designers in a debate about their profession and in an analysis of their value and worth. The decisions we make define us, in our ethical choices we reveal who we are.
Using this book p. 006 Declaring an interest p. 008 Some useful definitions p. 010 The parameters of this book p. 011 Introduction p. 012 Making good p. 017 Approaching good p. 033 Philosophy p. 034 The law p. 044 Theology p. 050 Politics p. 058 Issues raised p. 064 Glossary of ethical thought p. 065 Human Rights Act, 1998 The Convention Rights p. 074 Debating good p. 081 Should I be nice to everyone? p. 082 Who should I work for? p. 088 Is it okay to be happy? p. 094 Who has the right to judge? p. 100 What is it worth? p. 106 Issues raised p. 112 Being good p. 133 Furniture and product design/exhibition design/installations p. 114 Are you a good designer? p. 119 Architecture p. 122 Are you a good designer? p. 125 Editorial design p. 126 Are you a good designer? p. 130 Photojournalism p. 132 Are you a good designer? p. 135 Graphic design/public art p. 136 Are you a good designer? p. 141 Issues raised p. 144 Examples p. 145 Doing good p. 161 Sustainability Issue Mapping p. 162 Case studies p. 174 Ken Garland p. 176 Violetta Boxill p. 180 Pat Kahn p. 184 Dan Eatock p. 188 Issues raised p. 192 Reference p. 193