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Titel och upphov The meaning of the body : aesthetics of human understanding
Utgivning, distribution etc. University of Chicago Press, Chicago : 2007.
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Fysisk beskrivning xvii, 308 p., 2 p. of plates : ill. (some col.), music ; 24 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references (p. [285]-295) and index.
Anmärkning: Innehåll Preface : the need for an aesthetics of human meaning -- Introduction : meaning is more than words and deeper than concepts -- The movement of life -- Big babies -- "Since feeling is first" : emotional dimensions of meaning -- The grounding of meaning in the qualities of life -- Feeling William James's "but": the aesthetics of reasoning and logic -- The origin of meaning in organism-environment coupling : a nonrepresentational view of mind -- The corporeal roots of symbolic meaning -- The brain's role in meaning -- From embodied meaning to abstract thought -- Art as an exemplar of meaning-making -- Music and the flow of meaning -- The meaning of the body.
Term
Elektronisk adress och åtkomst (URI) Table of contents only http://www.loc.gov/catdir/toc/ecip076/2006100532.html Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0704/2006100532-b.html Publisher description http://www.loc.gov/catdir/enhancements/fy0707/2006100532-d.html
ISBN 978-0-226-40193-5 (pbk, 2008) 0-226-40193-6 (pbk, 2008) 978-0-226-40192-8 (cloth : alk. paper) 0-226-40192-8 (cloth : alk. paper)
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In The Meaning of the Body , Mark Johnson continues his pioneering work on the exciting connections between cognitive science, language, and meaning first begun in the classic Metaphors We Live By . Johnson uses recent research into infant psychology to show how the body generates meaning even before self-consciousness has fully developed. From there he turns to cognitive neuroscience to further explore the bodily origins of meaning, thought, and language and examines the many dimensions of meaning--including images, qualities, emotions, and metaphors--that are all rooted in the body's physical encounters with the world. Drawing on the psychology of art and pragmatist philosophy, Johnson argues that all of these aspects of meaning-making are fundamentally aesthetic. He concludes that the arts are the culmination of human attempts to find meaning and that studying the aesthetic dimensions of our experience is crucial to unlocking meaning's bodily sources. Throughout, Johnson puts forth a bold new conception of the mind rooted in the understanding that philosophy will matter to nonphilosophers only if it is built on a visceral connection to the world. "Mark Johnson demonstrates that the aesthetic and emotional aspects of meaning are fundamental--central to conceptual meaning and reason, and that the arts show meaning-making in its fullest realization. If you were raised with the idea that art and emotion were external to ideas and reason, you must read this book. It grounds philosophy in our most visceral experience."--George Lakoff, author of Moral Politics
Contents Preface: The Need for an Aesthetics of Human Meaning Acknowledgments Introduction: Meaning Is More than Words and Deeper than Concepts Bodily Meaning and Felt Sense The Movement of Life Big Babies "Since Feeling Is First": Emotional Dimensions of Meaning The Grounding of Meaning in the Qualities of Life Feeling William James's "But": The Aesthetics of Reasoning and Logic Embodied Meaning and the Sciences of Mind The Origin of Meaning in Organism-Environment Coupling: A Nonrepresentational View of Mind The Corporeal Roots of Symbolic Meaning The Brain's Role in Meaning From Embodied Meaning to Abstract Thought Embodied Meaning, Aesthetics, and Art Art as an Exemplar of Meaning-Making Music and the Flow of Meaning The Meaning of the Body References Index