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Utgivning, distribution etc. National Library of Sweden , Stockholm ; 2009 : 2009 ((Litauen) )
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Serietitel - ej biuppslagsform
Nummer i serie
Term
Indexterm - Okontrollerad
Institutionsnamn
Uniform titel The You Tube reader You Tube reader
ISBN 978-91-88468-11-6 (inb.) 978-91-88468-11-6
Antal i kö:
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*24514$aThe YouTube reader /$ceds.: Pelle Snickars, Patrick Vonderau
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*300 $a511 s. :$bill :$c24 cm
*4900 $aMediehistoriskt arkiv ;$v12 ,$x1654-6601
*650 4$aDigital teknik
*650 4$aDigitala medier och film
*650 4$aDigitala medier
*650 4$aSamhälle och media
*653 $aYouTube (prel/S)
*697 $cInformationsteknik (IT)
*7001 $aSnickars, Pelle,$d1971-$4edt
*7001 $aVonderau, Patrick$4edt
*7101 $aKungl. biblioteket$4pbl
*7304 $aThe You Tube reader
*7304 $aYou Tube reader
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*910 $aSverige.
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*910 $aKungliga biblioteket$uKungl. biblioteket
*910 $aKungl. biblioteket - National Library of Sweden$uKungl. biblioteket
*910 $aBibliotheca regia Stockholmiensis$uKungl. biblioteket
*910 $aNational Library of Sweden$uKungl. biblioteket
*910 $aSveriges nationalbibliotek$uKungl. biblioteket
*910 $aKönigl. Bibliothek (Stockholm)$uKungl. biblioteket
*910 $aThe Royal Library$uKungl. biblioteket
*910 $aRoyal Library$uKungl. biblioteket
*910 $aBiblioteca Real de Suecia$uKungl. biblioteket
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YouTube has come to epitomize the possibilities of digital culture. With more than seventy million unique users a month and approximately eighty million videos online, this brand-name video distribution platform holds the richest repository of popular culture on the Internet. As the fastest growing site in the history of the Web, YouTube promises endless new opportunities for amateur video, political campaigning, entertainment formats, and viral marketing--a clip culture that has seemed to outpace both cinema and television. The YouTube Reader is the first full-length book to explore YouTube as an industry, archive, and cultural form. This remarkable volume brings together renowned film and media scholars to debate the problems and potential of "broadcasting yourself." The YouTube Reader takes on claims of newness, immediacy, and popularity with sytematic and theoretically informed arguments, offering a closer look at the available texts on YouTube and the policies and norms that govern their access and use. Contributors include Christopher Anderson, Thomas Elsaesser, Richard Grusin, Bernard Stiegler, Toby Miller, Lisa Parks, William Uricchio, and Janet Wasko.
Introduction p. 9 Mediality p. 22 The Future of a Medium Once Known as Television p. 24 The Carnival of the New Screen: From Hegemony to Isonomy p. 40 YouTube at the End of New Media p. 60 Usage p. 68 Videos of Affinity on YouTube p. 70 The Entrepreneurial Vlogger: Participatory Culture Beyond the Professional-Amateur Divide p. 89 Writers Becoming Users: YouTube Hype and the Writer's Strike p. 108 Where Quality Matters: Discourses on the Art of Making a YouTube Video p. 126 Breaking the Age Barrier in the Internet Age: The Story of Geriatric 1927 p. 140 Form p. 152 Digital Attractions: Reloading Early Cinema in Online Video Collections p. 154 Tales of Epiphany and Entropy: Around the Worlds in Eighty Clicks p. 166 Home Dance: Mediacy and Aesthetics of the Self on YouTube p. 187 "Hey Man, Nice Shot": Setting the Iraq War to Music on YouTube p. 204 YouTube Commemoration: Private Grief and Communal Consolation p. 218 Sports on YouTube p. 236 YouTube and the Aesthetics of Political Accountability p. 252 Storage p. 266 The Appearance of Archives p. 268 Navigating YouTube: Constituting a Hybrid Information Management System p. 275 The Archival Cloud p. 292 In the Kingdom of Shadows: Cinematic Movement and Its Digital Ghost p. 314 On the Logic of the Digital Archive p. 330 An Ocean of Sound and Image: YouTube in the Context of Supermodernity p. 347 Industry p. 358 Economics of Sharing Platforms: What's Wrong with Cultural Industries? p. 360 The Political Economy of YouTube p. 372 Digital Discords in the Online Media Economy: Advertising versus Content versus Copyright p. 387 Exploiting YouTube: Contradictions of User-Generated Labor p. 406 Cybertarians of the World Unite: You Have Nothing to Lose but YourTubes! p. 424 From YouTube to RuTube, or, How I Learned to Stop Worrying and Love All Tubes p. 441 Curatorship p. 456 YouTube as a Mirror Maze p. 458 General Bibliography p. 466 Contributors p. 486 List of Illustrations p. 493 Index p. 497