Konstfacks bibliotek

Modern typography in Britain : graphic design, politics, and society
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  • GRAFISK DESIGN - Aec
Titel och upphov
  • Modern typography in Britain : graphic design, politics, and society
Utgivning, distribution etc.
  • Hyphen , London ; 2009 : 2009
Utgivningsår
  • 2009
  • Språk: Engelska.
SAB klassifikationskod
Fysisk beskrivning
  • 216 s. : ill.
Serietitel - ej biuppslagsform
Nummer i serie
  • 8
Term
Institutionsnamn
ISBN
  • 978-0-907259-39-8 (pbk.)
  • 978-0-907259-39-8
  • 0-907259-39-1 (pbk.)
  • 0-907259-39-1
Antal i kö:
  • 0 (0)
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*007|||||||||||||||||||||||
*008110824s2009    xxka   |      000 0 eng c
*020  $a978-0-907259-39-8 (pbk.)
*020  $a978-0-907259-39-8
*020  $a0-907259-39-1 (pbk.)
*020  $a0-907259-39-1
*035  $a(Ko)32061
*084  $aAec-e.5
*24510$aModern typography in Britain :$bgraphic design, politics, and society  /$c[editor, Paul Stiff]
*260  $aLondon ;$a2009 :$bHyphen ,$c2009
*300  $a216 s.  :$bill.
*4900 $aTypography papers  ;$v8
*650 4$aGrafisk formgivning
*650 4$a1900-talet
*650 4$aStorbritannien
*650 4$aTypografi
*650 4$a1900-talet
*650 4$aStorbritannien
*650 4$aPrinting$0(DLC)sh 85106751
*650 4$aPeriodicals.
*697  $cBoktryckerihistoria: Brittiska öarna (Storbritannien): 1900-talet
*7101 $aUniversity of Reading.
*7101 $aDept. of Typography & Graphic Communication.
*8520 $hGRAFISK DESIGN -  Aec
^
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Typography Papers 8 is a special issue devoted to modernity in British typography. Graphic design in Britain from World War II through the 1970s is reconsidered not simply as a matter of style, but as a visible form of social philosophy and an optimistic claim on enlightenment. The issue's centerpiece is a revised version of British sociologist Stuart Hall's 1972 essay on the illustrated magazine Picture Post . Other topics include recollections of designing and politics; graphic design for the campaign for nuclear disarmament; and a history of the pioneering British book packager Adprint. Typography Papers 8 is derived from the findings of the Optimism of Modernity, a research project begun in 2004 by the Department of Typography & Graphic Communication of the University of Reading.

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