Hylla
Personnamn
Titel och upphov Reading images : the grammar of visual design
Utgivning, distribution etc.
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Upplaga
Fysisk beskrivning 291 s. : ill. (enstaka i färg) ; 25 cm
Anmärkning: Allmän
Term
Indexterm - Okontrollerad
Annat medium Online: Kress, Gunther R., Reading images 2006 ISBN 9780203619728
ISBN 0-415-31915-3 (hft.) : 0-415-31914-5 : 978-0-415-31915-7 978-0-415-31914-0
Antal i kö:
*00002712nam a22007817a 4500
*00127906
*00520170209030844.7
*008040514s2006 enk|||| 00| 0|eng c
*015 $aGBA4X1638$2bnb
*020 $a0-415-31915-3 (hft.) :$c£19.99
*020 $a0-415-31914-5 :$c£75.00
*020 $a978-0-415-31915-7
*020 $a978-0-415-31914-0
*035 $a(SE-LIBR)9863061
*035 $a(Ko)32058
*040 $aBNB$dLi
*08204$a741.6$222
*0830 $a701$222
*084 $aDoef $2kssb/7
*084 $aIfq$2kssb/7
*084 $aIaa$2kssb/7
*084 $aBra$2kssb/7
*1001 $aKress, Gunther R.,$d1940-
*24510$aReading images :$bthe grammar of visual design /$cGunther Kress and Theo van Leeuwen
*250 $a2. ed.
*260 $aLondon :$bRoutledge,$c2006
*300 $a291 s. :$bill. (enstaka i färg) ;$c25 cm
*500 $aPrevious ed.: 1996.
*650 7$aSemiotik$2sao$0https://id.kb.se/term/sao/Semiotik
*650 7$aBildanalys (konst)$2sao$0https://id.kb.se/term/sao/Bildanalys%20%28konst%29
*650 7$aKreativitet$2sao
*650 7$aTolkning (översättning)$2sao
*650 0$aSemiotics
*650 0$aCreative ability
*650 0$aTranslating and interpreting
*653 $aBildförståelse
*653 $aCommunication in design
*7001 $aVan Leeuwen, Theo,$d1947-
*77608$iOnline:$aKress, Gunther R.,$tReading images$d2006$z9780203619728$wIMP11709640
*852 $5Ko$cKONST -$hIaa$lKRE
*900 $aKress, G. R.,$d1940-$uKress, Gunther R.,$d1940-
*900 $aLeeuwen, Theo van,$d1947-$uVan Leeuwen, Theo,$d1947-
*950 $aBildanalys$w||e$uBildanalys (konst)
*950 $aStilanalys (konst)$uBildanalys (konst)
*950 $aBilder som historiska källor$uBildanalys (konst)
*950 $aKonstanalys$uBildanalys (konst)
*950 $aVisuell kommunikation$uBildanalys (konst)
*950 $aSemiologi$uSemiotik
*950 $aTextsemiotik$uSemiotik
*950 $aTeckenlära$uSemiotik
*950 $aTeckenteori$uSemiotik
*950 $aSemantik$wg$uSemiotik
*950 $aBildsemiotik$wh$uSemiotik
*950 $wh$aDiskursanalys$uSemiotik
*950 $aFilmsemiotik$wh$uSemiotik
*950 $aIntertextualitet$wh$uSemiotik
*950 $aMusiksemiotik$wh$uSemiotik
*950 $aTeatersemiotik$wh$uSemiotik
*950 $aKreativ förmåga$uKreativitet
*950 $aSkapande$uKreativitet
*950 $aInspiration$wh$uKreativitet
*950 $aKonstnärligt skapande$wh$uKreativitet
*950 $aFantasi$uKreativitet
*950 $aGeni$uKreativitet
*950 $aOriginalitet (estetik)$uKreativitet
*950 $aDövblindtolkning$wh$uTolkning (översättning)
*950 $aSimultantolkning$wh$uTolkning (översättning)
*950 $aÖversättning$uTolkning (översättning)
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
This second edition of the landmark textbook Reading Images builds on its reputation as the first systematic and comprehensive account of the grammar of visual design. Drawing on an enormous range of examples from children's drawings to textbook illustrations, photo-journalism to fine art, as well as three-dimensional forms such as sculpture and toys, the authors examine the ways in which images communicate meaning. Features of this fully updated second edition include:
new material on moving images and on colour a discussion of how images and their uses have changed through time websites and web-based images ideas on the future of visual communication.
Reading Images focuses on the structures or 'grammar' of visual designnbsp;- colour, perspective, framing and compositionnbsp;- provides the reader with an invaluable 'tool-kit' for reading images and makes it a must for anyone interested in communication, the media and the arts.
Preface to the second edition p. vii Preface to the first edition p. ix Acknowledgements p. xi Introduction: the grammar of visual design p. 1 The semiotic landscape: language and visual communication p. 16 Narrative representations: designing social action p. 45 Conceptual representations: designing social constructs p. 79 Representation and interaction: designing the position of the viewer p. 114 Modality: designing models of reality p. 154 The meaning of composition p. 175 Materiality and meaning p. 215 The third dimension p. 239 Colourful thoughts (a postscript) p. 266 References p. 271 Index p. 287