Hylla
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Utgivning, distribution etc. McGraw-Hill , Boston ; 2006 : 2006
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Fysisk beskrivning 2 vol. (991, ca 80 s.) : ill. (huvudsakligen i färg)
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Term
Elektronisk adress och åtkomst (URI) http://www.loc.gov/catdir/enhancements/fy0626/2005058443-t.html Table of contents
ISBN 0-07-296525-8 (alk.paper) 0-07-296525-8 978-0-07-296974-0 978-0-07-296974-0
Antal i kö:
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*008110824s2006 xxu | b 00| u eng c
*020 $a0-07-296525-8 (alk.paper)
*020 $a0-07-296525-8
*020 $a978-0-07-296974-0
*020 $a978-0-07-296974-0
*035 $a(Ko)31999
*084 $aIb
*1001 $aAdams, Laurie Schneider
*24510$aArt across time /$cLaurie Schneider Adams
*250 $a3. ed.
*260 $aBoston ;$a2006 :$bMcGraw-Hill ,$c2006
*300 $a2 vol. (991, ca 80 s.) :$bill. (huvudsakligen i färg)
*504 $aIncludes bibliographical references and index.
*650 4$aArt
*650 4$aHistory
*650 4$aKonst
*650 4$ahistoria
*650 4$aArt
*650 4$aHistory
*697 $cKonsthistoria
*8520 $hKONST - Ib
*8564 $uhttp://www.loc.gov/catdir/enhancements/fy0626/2005058443-t.html$uTable of contents
*900 $aSchneider Adams, Laurie
*950 $aKonstvetenskap
*950 $aKonst$xhistoria
*950 $aKonsthistoria
*950 $aKonst$xhistoria
*950 $aKonstliv
*950 $aKonst$xhistoria
^
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The size of a hefty phone book, Schneider's 3d ed. is notable for the wealth of good quality color plates of the art works discussed, including multiple views of a single object. Many inset boxes containing definitions and discussion of concepts and terminology are included. The text is focused on art of the west but includes occasional 2-page disc
Preface Introduction: Why Do We Study the History of Art? The Western Tradition (box) The Artistic Impulse Chronology (box) Why Is Art Valued? Material Value Intrinsic Value Religious Value Nationalistic Value Brancusi's Bird: Manufactured Metal or a Work of Art? (box) Psychological Value Art and Illusion Images and Words (box) Artists and Gods Art and Identification Reflections and Shadows: Legends of How Art Began Image Magic Architecture Archaeology and Art History The Archaeological Dig (box) How Do We Approach Art? The Methodologies of Art Formalism Iconography and Iconology Marxism Feminism Biography and Autobiography Semiology Deconstruction Psychoanalysis How Do We Talk about Art? Composition Plane Balance Line Expressive Qualities of Line Shape Expressive Qualities of Shape Light and Color Expressive Qualities of Color Texture Stylistic Terminology The Art of Prehistory The Stone Age in Western Europe Upper Paleolithic (c. 50,000/45,000-c. 8000 B.C.) Upper Paleolithic Sculpture Carving (box) Categories of Sculpture (box) Pigment (box) Modeling (box) Upper Paleolithic Painting in Spain and France (c. 30,000-c. 10,000 B.C.) Cosquer and Chauvet Shamanism (box) Lascaux Methods of Interpretation: Dating and Meaning of the Cave Paintings (box) Window on the World 1: Rock Paintings of Australia (c. 75,000/50,000 B.C.-the Present) (feature) Mesolithic (c. 8000-c. 6000/4000 B.C.) Neolithic (c. 6000/4000-c. 2000 B.C.) Malta Northern Europe The Celts (box) Menhirs Dolmens Cromlechs Lost-and-Lintel Construction (box) Timeline The Ancient Near East The Neolithic Era Chronology of the Ancient Near East and Principal Sites (box) Jericho Çatal Hüyük Mesopotamia Mesopotamian Religion (box) The Uruk Period (c. 3500-3100 B.C.) Inanna (box) Ziggurats Cylinder Seals From Pictures to Words Gilgamesh (box) Sumer: Early Dynastic Period (c. 2800-2300 B.C.) Tell Asmar Ur Akkad: (c. 2300-2100 B.C.) Sargon of Akkad (box) Neo-Sumerian Culture (c. 2100-1900/1800 B.C.) Lagash The Ziggurat of Ur Babylon (c. 1900¬-539 B.C.) The Law Code of Hammurabi (box) Anatolia: The Hittites (c . 1450-1200 B.C.) Assyria (C. 1300-612 B.C.) Assyrian Kings (box) The Neo-Babylonian Empire (612-539 B.C.) Round Arches (box) Glazing (box) Iran (c. 5000-331 B.C.) The Scythians (8th-4th Century B.C.) Destroying the Archaeological Record (box) Recent Discoveries: The Filippovka Cemetery (box) Achaemenid Persia (539-331 B.C.) Columns (box) Timeline Ancient Egypt The Gift of the Nile Hymn to Hapy Religion The Pharaohs Egyptian Gods (box) The Egyptian Concept of Kingship Chronology of Egyptian Kings (box) The Palette of Narmer Royal Names: Serekhs and Cartouches (box) The Egyptian View of Death and the Afterlife Mummification Funerary Texts The Old Kingdom Pyramids The Egyptian System of Proportion Sculpture Methods of Interpretation: Menkaure and Khamerernebty, an Old Kingdom Pharaoh and His Queen: Formalism, Iconography, Feminism, Context (box) Papyrus Manuscripts (box) The Middle Kingdom (c. 1991-1700 B.C.) The New Kingdom (c. 1550-1070 B.C.) Temples The Pylon Temple Hatshepsut's Mortuary Temple and Sculpture Painting Mural Painting Papyrus The Amarna Period (c. 1349-1336 B.C.) Tutankhamon's Tomb Egypt and Nubia Early Kush Reconquest The "Fifty" Sons of Ramses II: A Recent Archaeological Find (box) The Napatan Period Meroë Timeline The Aegean Cycladic Civilization (c. 3000-11th Century B.C.) Minoan Civilization (c. 3000-c. 1100 B.C.) The Palace at Knossos Minoan Fresco (box) Minoan Religion Minoan Scripts (box) Pottery Recent Discoveries at Thera The Frescoes Mycenaean Civilization (c. 1600-1100 B.C.) The Legend of Agamemnon (box) Cyclopaean Masonry (box) Timeline PART II The Art of Ancient Greece Cultural Identity Government and Philosophy Delphi (box) Literature and Drama Women in Ancient Greece (box) Plato on Artists (box) Socrates: "Know Thyself"(box) "Man Is the Measure of All Things" Greek Gods and Roman Counterparts (box) Painting and Pottery Geometric Style (c. 1000-700 B.C.) Orientalizing Style (c. 700-600 B.C.) Medusa (box) Archaic Style (c. 600-480 B.C.) Greek Vase Media and Shapes Late Archaic to Classical Style (c. 530-400 B.C.) Classical to Late Classical Style (c. 450-323 B.C.) Mosaic Sculpture Orientalizing Style: The Lions of Delos (7th century B.C.) Archaic Style (c. 600¬¬-480 B.C.) Early Classical Style (c. 480-450 B.C.) The Lost-Wax Process (box) Classical Style (c. 450-400 B.C.) Polykleitos of Argos The Canon (box) Grave Stelae The Development of Greek Architecture and Architectural Sculpture Archaic Style (c. 600-480 B.C.) The Orders of Greek Architecture (box) Early Classical Style (c. 480-450 B.C.) The Labors of Herakles (box) Classical Style (c. 450-400 B.C.) The Parthenon (448-432 B.C.) Plan of the Parthenon (box) The Pediments The Doric Metopes The Ionic Frieze The Naos The Temple of Athena Nike The Erechtheum Late Classical Style (4th century B.C.) Greek Theater (box) Sculpture Fourth-Century Grave Stelae Hellenistic Sculpture The Trojan Horse (box) Summary of Greek Style and Techniques (box) Timeline The Art of the Etruscans Etruscan Materials (box) Architecture Vitruvius on Architecture (box) Pottery and Sculpture Women in Etruscan Art Funerary Art Cinerary Containers Tombs Sarcophagi Tomb Paintings Timeline Window on the World 2: China: Neolithic to First Empire (c. 5000-206 b.c.) (feature) The Tomb of Emperor Qin: I (late 3rd century B.C.) Precursors: Neolithic to the Bronze Age (c. 5000-221 B.C.) Major Periods of Early Chinese History (box) Bronze: The Piece-Mold Method (box) Writing: Chinese Characters (box) Chinese Philosophy (box) The Tomb of Emperor Qin: II (late 3rd century B.C.) Timeline Ancient Rome Virgil's Aeneid (box) Chronology of Roman Periods and Corresponding Works of Art and Architecture (box) Ovid (box) Architectural Types Domestic Architecture Roman Building Materials (box) Arches, Domes, and Vaults (box) Pliny the Elder and Pliny the Younger (box) Nero's Golden House (box) Public Buildings The Forum The Basilica The Markets of Trajan Public Baths The Co