Hylla
Titel och upphov Helvetica forever : story of a typeface
Utgivning, distribution etc. Lars Müller , Baden, Switzerland ; 2009 : c2009
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 159 p. : ill. (some col.) : 26 cm.
Anmärkning: Innehåll Foreword -- "An impersonal typeface for today and tomorrow -- Eduard Hoffmann's journal -- Helvetica: some thoughts on a new typeface -- Obsolete? -- Afterword.
Term
ISBN 978-3-03-778121-0 978-3-03-778121-0 3-03-778121-1 3-03-778121-1
Antal i kö:
*00001581nam a22004697a 4500
*00127299
*007|||||||||||||||||||||||
*008110824s2009 sz a | 000 0 eng c
*020 $a978-3-03-778121-0
*020 $a978-3-03-778121-0
*020 $a3-03-778121-1
*020 $a3-03-778121-1
*035 $a(Ko)31427
*084 $aAec-h.5
*084 $aIbz Miedinger, Max
*24510$aHelvetica forever :$bstory of a typeface /$cpublished by Victor Malsy and Lars Müller ; contributions by Axel Langer and Indra Kupferschmid ; with the support of Alfred E. Hoffmann
*260 $aBaden, Switzerland ;$a2009 :$bLars Müller ,$cc2009
*300 $a159 p. :$bill. (some col.) :$c26 cm.
*505 $tForeword -- "An impersonal typeface for today and tomorrow -- Eduard Hoffmann's journal -- Helvetica: some thoughts on a new typeface -- Obsolete? -- Afterword.
*650 4$aSans serif type
*650 4$aHistory
*650 4$aTypsnitt
*650 4$ahistoria
*650 4$a1900-talet
*650 4$aSchweitz
*650 4$aTypografi
*650 4$ahistoria
*650 4$a1900-talet
*650 4$aSchweiz
*650 4$aHelvetica
*697 $cBoktryckerihistoria
*697 $cSärskilda konstnärer
*7001 $aMalsy, Victor$4edt
*7001 $aMüller, Lars,$d1955-$4edt
*7001 $aLanger, Axel$4aut
*7001 $aKupferschmid, Indra$4aut
*7001 $aHoffmann, Alfred E.,$d1927-$4oth
*8520 $hGRAFISK DESIGN - Aec
^
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Designed in 1957, the Helvetica font is an icon of Swiss graphic design, which was a model of sober, functional communication throughout the world in the 1950s and 60s. The balanced and neutral appearance of Helvetica forgoes a high degree of expressivity - a quality for which it is both criticized and admired. This polarization has helped to gain it unparalleled notoriety. Helvetica is far and away the most widely used of all typefaces; according to a survey by the Berliner Fontshop-Archiv, it tops the list of the hundred best fonts of all time. This publication retraces Helvetica's fifty-year history, compares it to the well-known sans serif fonts of the twentieth century, and examines the phenomenon of its unparalleled spread. Numerous illustrations show a multitude of ways the font has been used in five decades from a wide variety of fields - from signal design to party flyers. AUTHOR: Lars Muller was born in Oslo 1955 and has been living in Switzerland since 1963. After doing his apprenticship as a graphic designer, and years of apprenticeship and travel in the USA and Holland, he opened a studio in Baden in 1982. In 1983, Lars Müller began publishing books on typography, design, art photography, and architecture. ILLUSTRATIONS 150 images