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Titel och upphov White walls, designer dresses : the fashioning of modern architecture
Utgivning, distribution etc. MIT Press , Cambridge, Mass. ; 1995 : cop. 1995
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SAB klassifikationskod
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ISBN 0-262-23185-9 0-262-23185-9 0-262-73145-2 (pbk.) 0-262-73145-2
Antal i kö:
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*00126854
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*008110824s1995 xxu | 001 0 eng c
*020 $a0-262-23185-9
*020 $a0-262-23185-9
*020 $a0-262-73145-2 (pbk.)
*020 $a0-262-73145-2
*035 $a(Ko)30949
*040 $dQ
*084 $aIc.5
*084 $aIc:d
*1001 $aWigley, Mark
*24510$aWhite walls, designer dresses :$bthe fashioning of modern architecture /$cMark Wigley
*260 $aCambridge, Mass. ;$a1995 :$bMIT Press ,$ccop. 1995
*300 $axxvi, 424 s. :$bill.
*650 4$aWhite in architecture
*650 4$aArchitecture, Modern
*650 4$a20th century
*697 $cArkitektur Modern Tid
*697 $cArkitektur Teori Filosofi
*697 $cArkitektur: 1905-
*697 $cArkitektur: teori, filosofi
*8520 $hARKITEKTUR - Ic:d
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Mark Wigley offers an understanding of the historical avant-garde. He explores a feature of modern architecture - white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by 19th-century buildings, Wigley argues that modern buildings are not naked. The white wall is itself a form of clothing - the newly athletic body of the building, like that of its occupants, wears a new kind of garment and these garments are meant to match. Not only did almost all modern architects literally design dresses, Wigley points out, their arguments for a modern architecture were taken from the logic of clothing reform. Architecture was understood as a form of dress design.