Hylla
Personnamn
Titel och upphov Graphic design : a concise history
Utgivning, distribution etc. Thames & Hudson , London : 2001
Utgivningsår
SAB klassifikationskod
Upplaga
Fysisk beskrivning
Serietitel - biuppslagsform
Anmärkning: Allmän
Anmärkning: Bibliografi etc.
Term
ISBN 0-500-20347-4(pbk) 0-500-20347-4
Antal i kö:
*00000968nam a22003737ar4500
*00126440
*00520131219134305.0
*007|||||||||||||||||||||||
*008110824s2001 xxk | 001 0 eng c
*020 $a0-500-20347-4(pbk)
*020 $a0-500-20347-4
*035 $a(Ko)30500
*084 $aIfq
*084 $aAec
*084 $aAef:k
*1001 $aHollis, Richard
*24510$aGraphic design :$ba concise history /$cRichard Hollis
*250 $aRev. and expanded ed
*260 $aLondon :$bThames & Hudson ,$c2001
*300 $a232 s. :$bill.
*440 $aWorld of art
*500 $aPrevious ed.: 1994
*504 $aS. 224-228: Bibliografi
*650 4$aGrafisk konst
*650 4$ahistoria
*650 4$a1900-talet
*650 4$aBruksgrafik
*650 4$aGrafisk formgivning
*650 4$aGraphic arts
*650 4$aHistory
*8520 $hGRAFISK DESIGN - Ifq
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
This authoritative documentary history begins with the poster and goes on to chart the development of word and image in brochures and magazines, advertising, corporate identity, television, and electronic media, and the impact of technical innovations such as photography and the computer. For the revised edition, a new final chapter covers all the recent international developments in graphic design, including the role of the computer and the Internet in design innovation and globalization. In the last years of the twentieth century, at a time when "designer products" and the use of logos grew in importance, the role of graphic designers became more complex, subversive, and sometimes more political--witness Oliviero Toscani's notorious advertisements for Benetton. Digital technology cleared the way for an astonishing proliferation of new typefaces, and words began to take second place to typography in a whole range of magazines and books as designers asserted the primacy of their medium. Designers and companies discussed here include Neville Brody, David Carson, Design Writing Research, Edward Fella, Tibor Kalman, Jeffery Keedy, LettError, Pierre di Sciullo, Tomato, Gerard Unger, Cornel Windlin, and a host of others.
Introduction p. 7 From Graphic Art to Design 1890 to 1914 The Art Poster p. 11 Two-Dimensional Design and Graphic Reproduction Information Design Bauhaus Typography Photography and Sequence Printing Technique and Design Colour and Visual Clues Production and New Technology The Beginnings of Design in Europe p. 25 War and Propaganda 1914 to the 1920s p. 32 The Avant-Garde and the Origins of Modernism 1914 to 1940 Futurism and Italy p. 37 Soviet Russia p. 44 Germany p. 52 The Netherlands p. 68 National Tendencies until 1940 Switzerland p. 76 France p. 83 Britain p. 89 The Designer and the Art Director The United States in the 1930s p. 97 War and Propaganda 1920s to 1945 p. 104 The United States 1945 to the 1960s p. 112 Variants of Modernism in Europe Switzerland and Neue Graphik p. 130 Italy and the Milanese Style p. 138 France p. 147 Northern Europe p. 155 Psychedelia, Protest and New Techniques New Waves: Electronic Technology The 1970s and 1980s p. 186 From 1990 to the New Millennium p. 216 Bibliography and Sources p. 224 Index p. 229