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Titel och upphov A theory of craft : function and aesthetic expression
Utgivning, distribution etc. University of North Carolina Press , Chapel Hill ; 2007 : 2007.
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning xvi, 327 p. : ill. : 25 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references (p. [307]-316) and index.
Term
Elektronisk adress och åtkomst (URI) http://www.loc.gov/catdir/toc/ecip0714/2007011952.html
ISBN 0807831352 (cloth : alk. paper) 0807831352 9780807831359 (cloth : alk. paper) 9780807831359
Antal i kö:
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*1001 $aRisatti, Howard Anthony, $d1943-
*24512$aA theory of craft :$bfunction and aesthetic expression /$cHoward Risatti ; foreword by Kenneth R. Trapp.
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*300 $axvi, 327 p. :$bill. :$c25 cm.
*504 $aIncludes bibliographical references (p. [307]-316) and index.
*650 4$aKonsthantverk
*650 4$ateori, filosofi
*650 4$aDesign
*650 4$aDecorative arts
*650 4$aPhilosophy.
*650 4$aTeleology.
*8520 $hDESIGN - Ih:d
*8564 $uhttp://www.loc.gov/catdir/toc/ecip0714/2007011952.html
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What is craft? How is it different from fine art or design? In A Theory of Craft , Howard Risatti examines these issues by comparing handmade ceramics, glass, metalwork, weaving, and furniture to painting, sculpture, photography, and machine-made design from Bauhaus to the Memphis Group. He describes craft as uniquely blending function with a deeper expression of human values that transcend culture, time, and space. Craft must articulate a role for itself in contemporary society, says Risatti; otherwise it will be absorbed by fine art or design, and its singular approach to understanding the world will be lost.
Foreword p. xi Preface p. xiii Introduction p. 1 Practical-Functional Arts and the Uniqueness of Craft: Questions about Terminology p. 13 Purpose, Use, and Function p. 23 Taxonomy of Craft Based on Applied Function p. 29 Different Applied Functions: Tools and Craft Objects p. 41 Comparing Machines, Tools, and Craft Objects p. 48 Purpose and Physiological Necessity in Craft p. 54 Nature and the Origin of Craft Objects p. 60 Craft and Fine Art p. 67 What Are the Fine Arts and What Do They Do? p. 71 Social Convention versus Physical Necessity p. 78 Craft, Fine Art, and Nature p. 87 Technical Knowledge and Technical Manual Skill p. 98 Hand and Body in Relation to Craft p. 108 Hand and Body in Relation to Fine Art p. 116 Physicality versus Opticality p. 127 Thingness of the Thing p. 139 Issues of Craft and Design p. 151 Material and Manual Skill p. 157 Design, Workmanship, and Craftsmanship p. 162 Craftsman versus Designer p. 171 Implications of Craft and Design p. 182 Hand, Machine, and Material p. 194 Aesthetic Objects and Aesthetic Images p. 207 A Historical Perspective of Craft and Aesthetic Theory p. 209 Aesthetics and the Function/Nonfunction Dichotomy p. 219 Kant and Purpose in Fine Art p. 232 Fine Craft, Fine Art, Fine Design p. 239 Intentionality, Meaning, and the Aesthetic p. 251 Beauty, Contemplation, and the Aesthetic Dimension p. 262 How Aesthetic Contemplation Operates p. 273 Development of the Critical Objects of Studio Craft p. 281 Postscript p. 303 Bibliography p. 307 Index p. 317