Hylla
Personnamn
Titel och upphov
Utgivning, distribution etc. Continuum , New York ; 2007 : 2007.
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references (p. 207-213), discography (p. 201-205), and index.
Anmärkning: Innehåll First -- Technologies -- Free -- Electric -- Progress -- Inept -- Industry -- Power -- Japan -- Merzbow -- Sound art -- Cut -- Listening.
Term
Uniform titel
Elektronisk adress och åtkomst (URI) http://www.loc.gov/catdir/toc/ecip0720/2007024836.html
ISBN 9780826417275 0826417272 (pbk. : alk. paper) 0826417272 9780826417268 (hardcover : alk. paper) 9780826417268 0826417264 (hardcover : alk. paper) 0826417264 9780826417275 (pbk. : alk. paper)
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*1001 $aHegarty, Paul,$d1967-
*24510$aNoise /music :$ba history /$cPaul Hegarty.
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*300 $ax, 221 p. :$c23 cm.
*504 $aIncludes bibliographical references (p. 207-213), discography (p. 201-205), and index.
*505 $tFirst -- Technologies -- Free -- Electric -- Progress -- Inept -- Industry -- Power -- Japan -- Merzbow -- Sound art -- Cut -- Listening.
*650 4$aNoise music
*650 4$aHistory and criticism.
*650 4$aMusikkritik
*7300 $aNoise music
*8520 $hMUSIK & LJUDKONST - Ij
*8564 $uhttp://www.loc.gov/catdir/toc/ecip0720/2007024836.html
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Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provides an excellent historical overview, the book's main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music.
Acknowledgements Preface First Technologies Free Electric Progress Inept Industry Power Japan Merzbow Sound Art Cut Listening Discography Bibliography