Hylla
Titel och upphov Art in theory 1648-1815 : an anthology of changing ideas
Utgivning, distribution etc. Blackwell , Malden, Mass. : 2000
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning xxii, 1220 s. : ill. : 23 cm
Term
ISBN 0-631-20063-0 (inb.) 0-631-20063-0 0-631-20064-9 (hft.) 0-631-20064-9
Antal i kö:
*00001199nam a22004217a 4500
*00125439
*007|||||||||||||||||||||||
*008110824s2000 xxu | 000 0 eng c
*020 $a0-631-20063-0 (inb.)
*020 $a0-631-20063-0
*020 $a0-631-20064-9 (hft.)
*020 $a0-631-20064-9
*035 $a(Ko)29376
*040 $dKd
*084 $aIaa:k.43
*084 $aIaa:k.45
*084 $aDf:k.43
*084 $aDf:k.45
*24510$aArt in theory 1648-1815 :$ban anthology of changing ideas /$cedited by Charles Harrison, Paul Wood and Jason Gaiger
*260 $aMalden, Mass. :$bBlackwell ,$c2000
*300 $axxii, 1220 s. :$bill. :$c23 cm
*650 4$aKonstteori
*650 4$a1648-1815
*650 4$aArt, Modern
*650 4$aPhilosophy
*650 4$a17th-18th centuries
*650 4$aArt
*650 4$aEarly works to 1800
*697 $cKonst Teori Estetik Historia Nya Tiden
*697 $cKonst Teori Estetik Historia Nya Tiden
*7001 $aHarrison, Charles$4oth
*7001 $aWood, Paul$4oth
*7001 $aGaiger, Jason
*8520 $hKONST - Iaa
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
Art in Theory (1648-1815) provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars. Like its highly successful companion volumes, Art in Theory (1815-1900) and Art in Theory (1900-1990), its' primary aim is to provide students and teachers with the documentary material for informed and up-to-date study. Its' 240 texts, clear principles of organization and considerable editorial content offer a vivid and indispensable introduction to the art of the early modern period. Harrison, Wood and Gaiger have collected writing by artists, critics, philosophers, literary figures and administrators of the arts, some reprinted in their entirety, others excerpted from longer works. A wealth of material from French, German, Italian, Spanish, Dutch and Latin sources is also provided, including many new translations. Among the major themes treated are early arguments over the relative merits of ancient and modern art, debates between the advocates of form and color, the beginnings of modern art criticism in reviews of the Salon, art and politics during the French Revolution, the rise of landscape painting, and the artistic theories of Romanticism and Neo-classicism. Each section is prefaced by an essay that situates the ideas of the period in their historical context, while relating theoretical concerns and debates to developments in the practice of art. Each individual text is also accompanied by a short introduction. An extensive bibliography and full index are provided. For more details of our book and journal list in Art, visit http://www.blackwellpublishing.com/arttheory
Establishing the Place of Art: Introduction Ancients and Moderns From The Painting of the Ancients 1637 Letter to Junius 1637 From The Art of Painting, its Antiquity and Greatness 1649 Dedication to Constantijn Huygens from Icones I 1660 From Painting Illustrated in Three Dialogues 1685 ''A Digression on the Ancients and the Moderns'' 1688 Preface and ''second Dialogue'' from Parallel of the Ancients and Moderns 1688 From Reflections upon Ancient and Modern Learning 1694 The Academy: Systems and Principles Letters to Chantelou and to Chambray 1647/1665 Observations on Painting c. 1660-5 Recollections of Poussin 1662-1685 Petition to the King and to the Lords of his Council 1648 Statutes and Regulations of the AcadTmie Royale de Peinture et de Sculpture 1648 From An Idea of the Perfection of Painting 1662 Letter to Poussin c. 1665 ''the Idea of the Painter, Sculptor and Architect'' 1664 From Conversations on the Lives and Works of the Most Excellent Ancient and Modern Painters 1666 Preface to Seven Conferences 1667 ''First Conference'' 1667 ''second Conference'' 1667 ''sixth Conference'' 1667 ''Conference on Expression'' 1668 Table of Precepts: Expression 1680 Form and Colour ''de Imitatione Statuorum'', before 1640 From The Microcosm of Painting 1657 From ''diary of the Cavaliere Bernini''s Visit to France'' 1665 From De Arte Graphica 1667 ''remarks on De Arte Graphica'' 1668 From The Rich Mines of Venetian Painting 1676 ''Conference on Titian''s Virgin and Child with St John'' 1671 ''Conference on the Merits of Colour'' 1671 ''thoughts on M. Blanchard''s Discourse on the Merits of Colour'' 1672 From Dialogue upon Colouring 1673 From Practical Discourse on the Most Noble Art of Painting c. 1675 From The Antiquity of the Art of Painting c. 1690 The ''je ne sais quoi'' From The Hero 1637 From The Art of Worldly Wisdom 1647 ''Answer to Davenant''s Preface to Gondibert'' 1650 From Fire in the Bush and The Law of Freedom in a Platform 1650/2 From PensTes c.1654-1662 On Grace and Beauty from Conversations on the Lives and Works of the Most Excellent Ancient and Modern Painters 1666 From The Conversations of Aristo and Eugene 1671 From A Compleat Body of Divinity 1689/1701 On Art and Beauty, Before 1716 Practical Resources From Miniatura; or The Art of Limning, Revised 1648 On Rembrandt and Jan Lievens c.1630 Letters to Constantijn Huygens 1636-9 From In Praise of Painting 1642 From The Art of Painting, its Antiquity and Greatness 1649 Preface to Perspective Practical 1651 From Introduction to the Academy of Painting; or, The Visible World 1678 ''the Excellency of Painting'' from A Treatise of Perspective 1684 From Principles for Studying the