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Personnamn
Titel och upphov The invention of art : a cultural history
Utgivning, distribution etc. Univ. of Chicago Press , Chicago ; 2001 : 2001
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references and index
Term
ISBN 0-226-75342-5 0-226-75342-5 0-226-75343-3 (hft. : 2003) 0-226-75343-3
Antal i kö:
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*00124877
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*008110824s2001 xxu | 001 0 eng c
*020 $a0-226-75342-5
*020 $a0-226-75342-5
*020 $a0-226-75343-3 (hft. : 2003)
*020 $a0-226-75343-3
*035 $a(Ko)28750
*084 $aIb:d
*084 $aIaa
*1001 $aShiner, Larry E.
*24514$aThe invention of art :$ba cultural history /$cLarry Shiner
*260 $aChicago ;$a2001 :$bUniv. of Chicago Press ,$c2001
*300 $axix, 362 s. :$bill.
*504 $aIncludes bibliographical references and index
*650 4$aart s
*650 4$aHistory
*650 4$aart s
*650 4$aPhilosophy
*650 4$aKonst
*650 4$ahistoria
*650 4$aKonstteori
*697 $cKonst Konsthistoria Teori Filosofi
*697 $cKonst Teori Estetik
*8520 $hKURS
*950 $aKonstvetenskap
*950 $aKonst$xhistoria
*950 $aKonstvetenskap
*950 $aKonstteori
*950 $aFeministisk konstteori
*950 $aKonstteori
*950 $aKonsthistoria
*950 $aKonst$xhistoria
*950 $aKonstliv
*950 $aKonst$xhistoria
*950 $aKonstbegreppet
*950 $aKonstteori
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With The Invention of Art , Larry Shiner challenges our conventional understandings of art and asks us to reconsider its history entirely, arguing that the category of fine art is a modern invention--that the lines drawn between art and craft resulted from key social transformations in Europe during the long eighteenth century. "Shiner spent over a decade honing what he calls 'a brief history of the idea of art.' This carefully prepared and--given the extent and complexity of what he's discussing--admirably concise, well-organized book is the result. . . . Shiner's text is scholarly but accessible, and should appeal to readers with even a dabbler's interest in art theory."-- Publishers Weekly " The Invention of Art is enjoyable to read and provides a welcome addition to the history and philosophy of art."--Terrie L. Wilson, Art Documentation "A lucid book . . . it should be a must-read for anyone active in the arts."--Marc Spiegler, Chicago Tribune Books
List of Illustrations Preface Introduction Before Fine Art and Craft Overview The Greeks Had No Word for It Art,techne, ars The Artisan/Artist Aquinas's Saw From "Servile" to "Mechanical" Arts Artificers The Idea of Beauty Michelangelo and Shakespeare: Art on the Rise Opening up the Liberal Arts The Changing Status of Artisan/Artists The Ideal Qualities of the Artisan/Artist Shakespeare, Jonson, and the "Work" A Proto-Aesthetic? Artemesia's Allegory: Art in Transition The Artisan/Artist's Continuing Struggle for Status The Image of the Artisan/Artist Steps toward the Category of Fine Art The Role of Taste Art Divided Polite Arts for the Polite Constructing the Category of Fine Art The New Institutions of Fine Art The New Art Public The Artist, the Work, and the Market The Separation of the Artist from the Artisan The Ideal Image of the Artist The Fate of the Artisan The Gender of Genius The Ideal of the "Work of Art" From Patronage to the Market From Taste to the Aesthetic Learning Aesthetic Behavior The Art Public and the Problem of Taste The Elements of the Aesthetic Kant and Schiller Sum Up the Aesthetic Countercurrents Hogarth, Rousseau, Wollstonecraft Hogarth's "Hedonist Aesthetics" Rousseau's Festival Aesthetic Wollstonecraft and the Beauty of Justice Revolution: Music, Festival, Museum The Collapse of Patronage The Revolutionary Festivals Revolutionary Music The Revolution and the Museum The Apotheosis of Art Overview Art as Redemptive Revelation Art Becomes an Independent Realm The Spiritual Elevation of Art The Artist: A Sacred Calling The Exalted Image of Artists The Descent of the Artisan Silences: Triumph of the Aesthetic Learning Aesthetic Behavior The Rise of the Aesthetic and the Decline of Beauty The Problem of Art and Society Beyond Art and Craft Overview Assimilation and Resistance The Assimilation of Photography Varieties of Resistance: Emerson, Marx, Ruskin, Morris The Arts and Crafts Movement Modernism, Anti-Art, Bauhaus Modernism and Purity The Case of Photography Anti-ArtThe Bauhaus Three Philosopher-Critics on the Division of Art Modernism and Formalism Triumphant Beyond Art and Craft? "Primitive Art" Crafts-as-Art Architecture as Art The Photography-as-Art Boom The "Death of Literature"? Mass Art Art and Life Public Art Conclusion Notes References Index