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Titel och upphov Citizens and subjects : The Netherlands, for example : a critical reader
Utgivning, distribution etc. JRP Ringier BAK, basis voor actuele kunst , Utrecht ; Zürich ; 2007 : 2007
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Anmärkning: Allmän "This critical reader has been published as part of the project Citizens and subjects, the Dutch contribution to the 52nd International Art Exhibition - La Biennale di Venezia, commissioned by the Mondriaan Foundation"
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ISBN 9783905770735 9783905770735
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In 2007, Aernout Mik represented the Netherlands at the Venice Biennale. Rather than produce a standard catalogue to accompany Mik's acclaimed three-part video installation, curator Maria Hlavajova organized this dense and galvanizing critical reader. Interspersed with provocative black-and-white images from Mik's artworks, Citizens and Subjects looks at the Netherlands as an example of the contemporary western condition at a time when the demands of "national security," the normalization of violence and the maintenance of high levels of fear and anxiety have become part of daily life in the so-called "West." This volume seeks to identify the causes of our current predicament and looks at how our society fails to negotiate the challenges posed by economic globalization, human migration and cross-cultural influence. With contributions by philosophers, social scientists and artists including Marlene Dumas, Aernout Mik, Willem de Rooij and Lawrence Weiner.
Foreword p. 9 Introduction Citizens and Subjects p. 10 The Netherlands, for example p. 17 Of Training, Imitation and Fiction p. 31 Neoliberalism with Dutch Characteristics: The Big Fix-Up of the Netherlands and the Practice of Embedded Cultural Activism p. 51 Ex-Corporation. The Dutch Secular Contract in Transformation p. 71 A Passport Is a Piece of Paper, or the Enrichment of the Netherlands p. 87 'Ik is een allochtoon' p. 105 Who Dares to Experiment with Culture? p. 125 A Moment to Listen to Those Who Are Quiet p. 143 Art and the New Image Wars p. 159 Proposals for the Future p. 181 New Cultural Citizens are Not Born but Created p. 199 Political Art as an Interesting Gesture? Counterbalancing Political Fear with Artistic 'Interesse' p. 215 Indecisiveness as a Mode of Being p. 237 Beyond Innocence: The Genre of New Realism and Its Contenders p. 253 The 'Droste Effect' or What Comes after Being Critical? p. 271 Generational Othering and the Dutch Obsession with the Here and Now p. 291 Art Is about We p. 307 Contributors p. 319 Project Credits p. 325 Acknowledgements p. 326 Financial Partners p. 329 Index p. 330