Hylla FOTOGRAFI - Inz Killip, Christopher
Personnamn
Titel och upphov
Utgivning, distribution etc. Steidl , Göttingen ; 2006 : 2006
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 85 s. : huvudsakligen ill. : 29 cm.
Anmärkning: Allmän Exhibition of photographs at Victoria and Albert Museum, 1989.
Anmärkning: Bibliografi etc. Includes bibliographical references.
Personnamn
Term
Institutionsnamn
ISBN 3-86521-317-0 3-86521-317-0 978-3-86521-317-4 978-3-86521-317-4
Antal i kö:
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*00123733
*007|||||||||||||||||||||||
*008110824s2006 gw a | 000 0 eng d
*020 $a3-86521-317-0
*020 $a3-86521-317-0
*020 $a978-3-86521-317-4
*020 $a978-3-86521-317-4
*035 $a(Ko)27274
*084 $aInz Killip, Christopher
*084 $aPna
*084 $aIn
*1001 $aKillip, Christopher
*24510$aPirelli work /$cChris Killip ; with an essay by Clive Dilnot ; [edited by Ute Eskildsen]
*260 $aGöttingen ;$a2006 :$bSteidl ,$c2006
*300 $a85 s. :$bhuvudsakligen ill. :$c29 cm.
*500 $aExhibition of photographs at Victoria and Albert Museum, 1989.
*504 $aIncludes bibliographical references.
*60014$aKillip, Chistopher
*650 4$aDokumentärfotografi
*650 4$aPorträttfotografi
*650 4$aDocumentary photography
*650 4$aExhibitions.
*650 4$aTire industry workers
*650 4$aPictorial works.
*650 4$aPortrait photography
*650 4$aExhibitions.
*650 4$aBilarbetare
*650 4$abildverk
*7001 $aDilnot, Clive$4aut
*7001 $aEskildsen, Ute$4edt
*7101 $aVictoria and Albert Museum.
*8520 $hFOTOGRAFI - Inz Killip, Christopher
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Chris Killip, born in 1946 on the Isle of Man, is one of the most influential photographers and teachers to have come out of the United Kingdom. His work in the late 1970s and 1980s defined an era; it has received numerous prizes and is included in most major museum collections. Of The Pirelli Photographs , taken at the famous tire manufacturer's plant, he says, "I wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit... The workplace had become, in a real sense for me, a theater and I embraced the look of these new photographs with their relation to fashion, film noir, and even Soviet Realism. For me this look' seemed a more telling way to record and document this enforced ritual."