Hylla
Titel och upphov East art map : contemporary art and Eastern Europe
Utgivning, distribution etc. Afterall , London ; 2006 : cop. 2006
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 527 s. : ill. : 25 cm. + + 1 karta
Anmärkning: Allmän Collection of selected art works and essays. Includes index.
Anmärkning: Innehåll Foreword / Charles Esche -- General introduction / Irwin -- Part 1: Selected artworks and events -- Colour illustrations -- Introduction to Part I / Lívia Páldi -- Albania (and Kosova) / Edi Muka -- Bosnia-Herzegovina / Nermina Zildzo -- Bulgaria / Iara Boubnova -- Croatia / Ana Peraica -- Croatia / Branka Stipancic -- Czech Republic / Jana and Jirí Sevcík -- East Germany / Inke Arna -- Estonia / Sirje Helme -- Hungary / János Sugár -- Latvia / Solvita Krese -- Lithuania / Elona Lubyte -- Moldova / Lilia Dragneva -- Poland / Piotr Piotrowski -- Republic of Macedonia / Suzana Milevska -- Romania / Calin Dan -- Russia / Ekaterina Degot -- Russia / Marina Koldobskaya -- Russia / Viktor Misiano -- Serbia and Montenegro / Branislav Dimitrijevic -- Serbia and Montenegro / Misko Suvakovic -- Slovakia / Vladimir Beskid -- Slovenia / Igor Zabel -- Slovenia / Marina Grzimic -- East Art Map online proposals -- Part II: Essays -- East! / Rastko Mocnik -- Against dictionaries: the East as she is spoke by the West / Roger Conover -- Enjoy me, abuse me, I am your artist: cultural politics, their monuments, their ruins / Eda Cufer -- Myth and Slovene art / Sergej Kapus -- From the black square to the white flag / Jürgen Harten -- Art an avant-garde society: Belgrade in the 1970s / Lutz Becker -- Art beyond the art market / Boris Groys/Anton Vidokle -- Moscow conceptualism twenty-five years later / Boris Groys -- A short history of OHO / Igro Zabel -- Neo Rauch: Gravity's smoke / Andreas Spiegl -- Pawel Althamer: a new pied piper / Charles Esche -- Subversive affirmation: on mimesis as a strategy of resistance / Inke Arns/Sylvia Sasse -- Confidential community vs. the aesthetics of interaction / Viktor Misiano -- Construction history with the museum: a proposal for an East Art Museum / Michael Fehr -- A corruption of the 'grand narrative' of art / Ana Peraica -- On the re-politicisation of art through contamination / Marina Grzinic -- Can Lenin tell us about freedom today? / Slavoj Zizek -- The post-soviet condition / Susan Buck-Morss -- Unfolding geographies / Erden Kosova.
Term
Institutionsnamn
ISBN 1846380227 9781846380228 (cloth) 9781846380228 1846380057 (pbk) 1846380057 9781846380051 (pbk) 9781846380051 1846380227 (cloth)
Antal i kö:
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*008110824s2006 xxka e 001 0 eng d
*020 $a1846380227
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*020 $a9781846380228
*020 $a1846380057 (pbk)
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*020 $a9781846380051
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*084 $aIb-m.6
*24510$aEast art map :$bcontemporary art and Eastern Europe /$cedited by IRWIN
*260 $aLondon ;$a2006 :$bAfterall ,$ccop. 2006
*300 $a527 s. :$bill. :$c25 cm. + +$e1 karta
*500 $aCollection of selected art works and essays.
*500 $aIncludes index.
*505 $tForeword / Charles Esche -- General introduction / Irwin -- Part 1: Selected artworks and events -- Colour illustrations -- Introduction to Part I / Lívia Páldi -- Albania (and Kosova) / Edi Muka -- Bosnia-Herzegovina / Nermina Zildzo -- Bulgaria / Iara Boubnova -- Croatia / Ana Peraica -- Croatia / Branka Stipancic -- Czech Republic / Jana and Jirí Sevcík -- East Germany / Inke Arna -- Estonia / Sirje Helme -- Hungary / János Sugár -- Latvia / Solvita Krese -- Lithuania / Elona Lubyte -- Moldova / Lilia Dragneva -- Poland / Piotr Piotrowski -- Republic of Macedonia / Suzana Milevska -- Romania / Calin Dan -- Russia / Ekaterina Degot -- Russia / Marina Koldobskaya -- Russia / Viktor Misiano -- Serbia and Montenegro / Branislav Dimitrijevic -- Serbia and Montenegro / Misko Suvakovic -- Slovakia / Vladimir Beskid -- Slovenia / Igor Zabel -- Slovenia / Marina Grzimic -- East Art Map online proposals -- Part II: Essays -- East! / Rastko Mocnik -- Against dictionaries: the East as she is spoke by the West / Roger Conover -- Enjoy me, abuse me, I am your artist: cultural politics, their monuments, their ruins / Eda Cufer -- Myth and Slovene art / Sergej Kapus -- From the black square to the white flag / Jürgen Harten -- Art an avant-garde society: Belgrade in the 1970s / Lutz Becker -- Art beyond the art market / Boris Groys/Anton Vidokle -- Moscow conceptualism twenty-five years later / Boris Groys -- A short history of OHO / Igro Zabel -- Neo Rauch: Gravity's smoke / Andreas Spiegl -- Pawel Althamer: a new pied piper / Charles Esche -- Subversive affirmation: on mimesis as a strategy of resistance / Inke Arns/Sylvia Sasse -- Confidential community vs. the aesthetics of interaction / Viktor Misiano -- Construction history with the museum: a proposal for an East Art Museum / Michael Fehr -- A corruption of the 'grand narrative' of art / Ana Peraica -- On the re-politicisation of art through contamination / Marina Grzinic -- Can Lenin tell us about freedom today? / Slavoj Zizek -- The post-soviet condition / Susan Buck-Morss -- Unfolding geographies / Erden Kosova.
*650 4$aKonst
*650 4$aÖsteuropa
*650 4$aArt, East European
*650 4$a20th century.
*650 4$aArt, East European
*650 4$a21st century.
*7101 $aIrwin (Artist group)
*8520 $cKONST - Ib-m
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The artistic map of Europe contains different degrees of detail and resolution. Italy, France, and Spain are presented in fine grain, but the Balkan peninsula is little more than a vague outline. England, Germany, and Scandinavia have many features filled in, but to the east of Germany things are blurred. Until recently, cities like Sofia, Odessa, Skopje, and Belgrade had next to no definition. Further to the East, Moscow comes into focus, but this is no compensation for the Baltics, sentenced for the last half-century to blank space.In the West, virtually every move of the artist, the art market, and the art public is documented. But in Eastern Europe, no such system of documentation or communication exists. Instead, we encounter systems that are not only inaccessible to the West, but incongruous from one country to the next. Beside the official art histories there is often a whole series of stories and legends about "unofficial," unapproved art and artists. East Art Map: Contemporary Art and Eastern Europe is an ambitious attempt to reconstruct the missing histories of contemporary art in Eastern Europe from an East European and artistic perspective. It is perhaps the widest ranging art documentation project ever undertaken by the East on the East, involving a large network of artists, scholars, curators and critics coordinated by the IRWIN group over several years.The editors invited eminent art critics, curators, and artists to present up to ten crucial art projects produced in their respective countries over the past 50 years. The choice of the particular artworks (many of them reproduced in color), artists, and events, as well as their presentation, was left exclusively to the individual selectors. In addition, the editors asked experts from both East and West to provide longer texts offering cross-cultural perspectives on the art of both regions.Afterall Books are distributed by The MIT Press.
Foreword p. 9 General Introduction p. 11 Selected Artworks and Events Colour Illustrations p. 21 Introduction to Part I p. 129 Albania (and Kosova) p. 131 Bosnia-Herzegovina p. 141 Bulgaria p. 153 Croatia p. 163 Croatia p. 174 Czech Republic p. 181 East Germany p. 189 Estonia p. 198 Hungary p. 208 Latvia p. 222 Lithuania p. 230 Moldova p. 240 Poland p. 245 Republic of Macedonia p. 252 Romania p. 260 Russia p. 267 Russia p. 274 Russia p. 278 Serbia and Montenegro p. 287 Serbia and Montenegro p. 298 Slovakia p. 307 Slovenia p. 318 Slovenia p. 321 East Art Map Online Proposals p. 332 Essays East! p. 343 Against Dictionaries: The East as She is Spoke by the West p. 349 Enjoy Me, Abuse Me, I am Your Artist: Cultural Politics, Their Monuments, Their Ruins p. 362 Myth and Slovene Art p. 377 From the Black Square to the White Flag p. 384 Art for an Avant-Garde Society: Belgrade in the 1970s p. 390 Art Beyond the Art Market p. 401 Moscow Conceptualism Twenty-Five Years Later p. 408 A Short History of OHO p. 410 Neo Rauch: Gravity's Smoke p. 433 Pawel Althamer: A New Pied Piper p. 440 Subversive Affirmation: On Mimesis as a Strategy of Resistance p. 444 Confidential Community vs. the Aesthetics of Interaction p. 456 Constructing History with the Museum: A Proposal for an East Art Museum p. 466 A Corruption of the 'Grand Narrative' of Art p. 472 On the Re-Politicisation of Art through Contamination p. 477 Can Lenin Tell Us About Freedom Today? p. 487 The Post-Soviet Condition p. 494 Unfolding Geographics p. 500 Afterword p. 509 Contributors p. 513 Colophon p. 521 Acknowledgments p. 522 Index p. 523