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Titel och upphov The performance studies reader
Utgivning, distribution etc. Routledge , London ; 2003 : 2003
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Term
ISBN 0-415-30240-4 (inb.) 0-415-30240-4 : 0-415-30241-2 (hft.) 0-415-30241-2 :
Antal i kö:
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*24514$aThe performance studies reader /$cedited by Henry Bial
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*300 $axix, 329 s. :$c25cm.
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*650 4$aAnthropological aspects.
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*7001 $aBial, Henry,$d1970-$4edt
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The Performance Studies Readeris a lively and much-needed anthology of critical writings on the burgeoning discipline of performance studies. It provides an overview of the full range of performance theory for undergraduates at all levels, and beginning graduate students in performance studies, theatre, performing arts and cultural studies. The collection is designed as a companion to Richard Schechner's popular Performance Studies: an Introduction(Routledge, 2002), but is also ideal as a stand-alone text.
Contributors p. xi Acknowledgements p. xvi Introduction p. 1 What is performance studies? p. 5 Performance studies: the broad spectrum approach p. 7 Disciplines of the text: sites of performance p. 10 The liminal-norm p. 26 Professing performances: disciplinary genealogies p. 32 Performance studies p. 43 What is performance? p. 57 Performances: belief in the part one is playing p. 59 Blurred genres: the refiguration of social thought p. 64 What is performance? p. 68 Life the movie p. 74 Ritual p. 77 Liminality and communitas p. 79 "Performance" and other analogies p. 88 "The blood that runs through the veins": the creation of identity and a client's experience of Cuban-American santeria dilogun divination p. 97 Saint Orlan: ritual as violent spectacle and cultural criticism p. 108 Play p. 115 The nature and significance of play as a cultural phenomenon p. 117 A theory of play and fantasy p. 121 The ambiguity of play: rhetorics of fate p. 132 Just doing p. 139 Performativity p. 145 How to do things with words: lecture II p. 147 Performative acts and gender constitution: an essay in phenomenology and feminist theory p. 154 Introduction to Performativity and Performance p. 167 Theater and anthropology, theatricality and culture p. 175 Performing p. 183 A dialogue about acting p. 185 The actor's technique p. 189 A dream of passion p. 195 Presenting and re-presenting the self: from not-acting to acting in African performance p. 197 Performance processes p. 215 First attempts at a stylized theatre p. 217 The oral artist: training and preparation p. 226 The performance text p. 232 The deep order called turbulence: the three faces of dramaturgy p. 252 Global and intercultural performance p. 263 Performing ethnography p. 265 Of mimicry and man p. 279 Culturas-in-extremis: performing against the cultural backdrop of the mainstream bizarre p. 287 Reverend Billy: preaching, protest and post-industrial flanerie p. 299 Performance studies: interventions and radical research p. 311 Index p. 323