Konstfacks bibliotek

*00001163nam a22004337a 4500
*00122061
*007|||||||||||||||||||||||
*008110824s1991    xxua   e      001 0beng c
*020  $a0-8348-0240-6  :$cCIP entry
*020  $z9.95
*035  $a(Ko)25413
*040  $dLC
*1001 $aWilson, Richard L.
*24514$aThe art of Ogata Kenzan :$bpersona and production in Japanese ceramics  /$cby Richard L. Wilson
*250  $a1. ed.
*260  $aNew York  :$bWeatherhill ,$c1991
*300  $a271, [1] s.  :$bill. (vissa i färg)
*504  $aIncludes bibliographical references and index
*60014$aOgata, Kenzan,$d1663-1743
*60014
*650 4$aPotters
*650 4$aBiography
*650 4$aJapan
*650 4$aPottery, Japanese
*650 4$aEdo period, 1600-1868
*650 4$aKeramiker
*650 4$aJapan
*7001 $aOgata, Kenzan$4art
*8520 $cKERAMIK - Ihfaz Kenzan
*900  $aKenzan, Ogata
*900  $aOgata Shinsei
*900  $aToin
*900  $aShokosai
*900  $aShuseido
*900  $aShinsho
^

Ogata Kenzan (1663-1743) is Japan's most famous ceramic artist, and his work has had a far-reaching influence on the art of pottery, not only in Japan but, through Bernard Leach and his followers, the West as well. With his brother, the painter Korin, Kenzan was a member of the cultivated elite circle that transformed the world of Japanese design from the taste of a courtly few to a popular movement embracing every social class and encompassing all of the arts and crafts. Richard Wilson illuminates Kenzan's life and work simultaneously, tracing the phases of Kenzan's artistic and commercial development, their relationship to Japanese culture, and their bearing on the issues of authenticity and connoisseurship in Japanese art.