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Titel och upphov Modernist women and visual cultures : Virginia Woolf, Vanessa Bell, photography, and cinema
Utgivning, distribution etc. Rutgers University Press , New Brunswick, N.J. : 2003
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Personnamn
Term
ISBN 0-8135-3265-5 (inb.) 0-8135-3265-5 0-8135-3266-3 (hft.) 0-8135-3266-3
Antal i kö:
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*084 $aGez Woolf, Virginia
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*1001 $aHumm, Maggie
*24510$aModernist women and visual cultures :$bVirginia Woolf, Vanessa Bell, photography, and cinema /$cMaggie Humm
*260 $aNew Brunswick, N.J. :$bRutgers University Press ,$c2003
*300 $a244 s. :$bill.
*504 $aIncludes bibliographical references and index.
*60014$aBell, Vanessa,$d1879-1961
*60014$aContributions in photography.
*60014$aWoolf, Virginia, $d1882-1941
*60014$aKnowledge
*60014$aArt.
*60014$aCriticism and interpretation.
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*650 4$aGreat Britain.
*650 4$aArt and literature
*650 4$aHistory
*650 4$a20th century.
*650 4$aGreat Britain
*650 4$aPhotography
*650 4$aWomen in the motion picture industry.
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*650 4$aKvinnor i filmen
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This volume presents an original study of the visual and literary aesthetics of influential modernist women writers, in particular Virginia Woolf, HD (Hilda Doolittle), and Dorothy Richardson. Maggie Humm focuses on the neglected (often intimate) domestic photographs of Virginia Woolf and Vanessa Bell; on Woolf's essay "The Cinema" in the context of cinema journalism by other modernists; and on the influence of photography on Woolf's Three Guineas , her short visual fictions (particularly "Portraits"), and her modernist essays. Humm examines how modernist women explore a freer range of aesthetics than their male counterparts by looking at not only what has been called women's work at the margins of modernity, but also at what might be called the even more marginalized material within those boundaries-photo albums and image-texts.
More than one thousand of Virginia Woolf's uncatalogued photographs, and a similar number of Vanessa Bell's, have been sitting in archives scarcely touched until now. Modernist Women and Visual Cultures makes many of these photographs available for the first time. Both the photographs and this fresh analysis will prove fascinating to anyone interested in the many cultures of modernism.
List of figures p. vi Preface and acknowledgements p. ix Modernism, gender, photography and Virginia Woolf's 'Portraits' p. 1 Matrixial memories: Virginia Woolf's photo albums p. 40 Modernism, the maternal and the erotic: Vanessa Bell's photo albums p. 88 Modernism, cinema, gender and Borderline p. 130 Modernist women and cinema p. 157 Memory, photography and modernism: Virginia Woolf's Three Guineas p. 195 Afterword and Woolf's essays on modernism p. 217 Bibliography p. 225 Index p. 236