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Utgivning, distribution etc. Thames & Hudson , London : 2004
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Serietitel - biuppslagsform
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ISBN 0-500-20376-8 (hft.) 0-500-20376-8
Antal i kö:
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*300 $a224 s.
*440 $aWorld of art
*650 4$aDatakonst
*650 4$aComputer art.
*650 4$aVideo art
*650 4$aImage processing
*650 4$aDigital techniques.
*650 4$aArt
*650 4$aComputer network resources.
*8520 $cKONST - Ib
*950 $aVideokonst
^
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When the Internet emerged as a mass global communication network in the mid-1990s, artists immediately recognized the exciting possibilities for creative innovation that came with it. After a century of unprecedented artistic experimentation, individuals and groups were quick to use the new technologies to question and radically redefine the conventions of art, and to tackle some of the most pressing social, political, and ethical issues of the day. Covering email art, Web sites, artist-designed software, and projects that blur the boundaries between art and design, product development, political activism, and communication, Internet Art shows how artists have employed online technologies to engage with the traditions of art history, to create new forms of art, and to move into fields of activity normally beyond the artistic realm. The book investigates the ways Internet art resists and shifts assumptions about authorship, originality, and intellectual property; the social role of the artist; issues of identity, sexuality, economics, and power; and the place of the individual in the virtual, networked age. Throughout, the views of artists, curators, and critics offer an insider's perspective on the subject, while a timeline and glossary provide easy-to-follow guides to the key works, events, and technological developments that have taken art into the twenty-first century.
Preface p. 7 Introduction p. 8 The Internet's History and Pre-History p. 14 The Art-Historical Context for Internet Art p. 19 Early Internet Art p. 31 Participation in Public Spaces p. 34 Russian Internet Art Scene p. 36 New Vocabularies p. 39 Travel and Documentary Modes p. 45 Net.art p. 52 Cyberfeminism p. 62 Corporate Aesthetics p. 65 Telepresence p. 67 Isolating the Elements p. 73 Email-based Communities p. 73 Exhibition Formats and Collective Projects p. 78 Browsers, ASCII, Automation and Error p. 84 Parody, Appropriation and Remixing p. 92 Mapping Authorship p. 103 Hypertext and Textual Aesthetics p. 104 Remodelling Bodies p. 108 New Forms of Distribution p. 110 Sexual Personae p. 111 Themes in Internet Art p. 119 Infowar and Tactical Media in Practice p. 119 Turn of the Millennium, War and the Dotcom Crash p. 128 Data Visualization and Databases p. 132 Games p. 144 Generative and Software Art p. 152 Open Works p. 164 The Crash of 2000 p. 168 Art for Networks p. 173 Voyeurism, Surveillance and Borders p. 173 Wireless p. 180 E-commerce p. 184 Forms of Sharing p. 188 Video and Filmic Discourses p. 191 Low-fi Aesthetics p. 200 'Art for Networks' p. 206 Timeline p. 214 Glossary p. 214 Projects and Resources p. 216 Select Exhibitions p. 217 Festivals, Events and Venues p. 218 Mailing Lists p. 218 Select Bibliography p. 218 Illustration List p. 220 Index p. 222