Hylla
Personnamn
Titel och upphov Diane Arbus : magazine work
Utgivning, distribution etc. Aperture , [Millerton, N.Y.] ; 1984 : cop. 1984
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 175, [1] s.. : huvudsakligen ill. : 29 cm
Anmärkning: Allmän "Diane Arbus: magazine work, 1960-1971 ... an exhibition ... originated by the Helen Foresman Spencer Museum of Art , The University of Kansas, Lawrence, and organized by Thomas W. Southall" Exhibition held at the Spencer Museum of Art , January 22-March 4, 1984 and other places
Anmärkning: Bibliografi etc.
Personnamn
Indexterm - Okontrollerad
Institutionsnamn
Uniform titel Magazine work Diane Arbus, magazine work
ISBN 0-89381-152-1 0-89381-152-1
Antal i kö:
*00001480nam a22003857 45
*00115636
*007|||||||||||||||||||||||
*008110824s1984 ze c 00 0 eng||
*020 $a0-89381-152-1
*020 $a0-89381-152-1
*035 $a(Ko)17250
*040 $dNfo
*084 $aInz Arbus, Diane
*1001 $aArbus, Diane,$d1923-1971
*24510$aDiane Arbus :$bmagazine work /$cwith texts by Diane Arbus ;[essay by Thomas W. Southall ; edited by Doon Arbus and Marvin Israel]
*260 $a[Millerton, N.Y.] ;$a1984 :$bAperture ,$ccop. 1984
*300 $a175, [1] s.. :$bhuvudsakligen ill. :$c29 cm
*500 $a"Diane Arbus: magazine work, 1960-1971 ... an exhibition ... originated by the Helen Foresman Spencer Museum of Art , The University of Kansas, Lawrence, and organized by Thomas W. Southall"
*500 $aExhibition held at the Spencer Museum of Art , January 22-March 4, 1984 and other places
*504 $aS. 172-175: Bibliography
*60014$aArbus, Diane,$d1923-1971
*653 $aFotokonst
*653 $aDokumentärfotografi
*653 $aPorträttfotografi
*7001 $aSouthall, Thomas,$d1951-$4aut
*7001 $aArbus, Doon$4aut
*7001 $aIsrael, Marvin$4aut
*7101 $aHelen Foresman Spencer Museum of Art $4oth
*730 $aMagazine work
*730 $aDiane Arbus, magazine work
*8520 $cInz Arbus, Diane
*950 $aPhotography, Art istic
*950 $aPortrait photography
^
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Photography's most original artist examines the celebrities of her time in a remarkable collection of portraits. This work reveals the growth of an artist who posed no artificial boundary between art & the paying job, & who succeeded, regardless of the outlet, in putting her own uncompromising, indelible stamp on the visual imagination.