Konstfacks bibliotek

*00001018nam a22003857  45
*00115633
*007|||||||||||||||||||||||
*008110824s2000          ze      00  0 eng||
*020  $a1-884718-90-6
*020  $a1-58456-019-3
*020  $a1-58456-019-3
*020  $a0-7123-4634-1
*020  $a0-7123-4634-1
*020  $a0-7123-4642-2
*020  $a0-7123-4642-2
*020  $a1-884718-90-6
*035  $a(Ko)17246
*040  $dS
*084  $aAec
*1001 $aMcLean, Ruari
*24510$aHow typography happens  /$cRuari McLean
*260  $aLondon ;$aNew Castle, De  :$bOak Knoll$bThe British Library ,$c2000
*300  $a96 p.  :$bill.
*650 4$aTypsnitt
*650 4$aboktryckerihistoria
*650 4$aVästeuropa
*650 4$aFörenta staterna
*653  $aGrafisk formgivning
*653  $aTypografi
*697  $cBoktryckerihistoria
*8520 $cGRAFISK DESIGN - Aec
*900  $amaclean, ruari
*950  $aGrafisk design
*950  $aGraphic design
^

Based on his Sandars Lectures at Cambridge University during the 1980s, book designer and historian of book design McLean explores the emergence of the typographer as a professional. He traces developments in England, America, France, and Germany from the 17th century to the 1980's: from pen-drawn calligraphy covers through Pre-Raphaelite book pages and German Art Nouveau to European state-of-the-art design. He includes many monochrome illustrations, but no bibliography. Annotation copyrighted by Book News, Inc., Portland, OR

• Prefacep. 6
• Britain and Americap. 7
• Germanyp. 37
• Francep. 69