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Titel och upphov Fashion cultures : theories, explorations and analysis
Utgivning, distribution etc. Routledge , London : 2000
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ISBN 0-415-20685-5 : 0-415-20686-3 :
Antal i kö:
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*24510$aFashion cultures :$btheories, explorations and analysis /$cedited by Stella Bruzzi and Pamela Church Gibson
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*650 4$aClothing and dress
*650 4$aSocial aspects
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*697 $cKläder Dräkthistoria Efterkrigstiden
*7001 $aBruzzi, Stella$4oth
*7001 $aGibson, Pamela Church$4oth
*8520 $cTEXTIL - Ihk
*950 $aFashion
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From the catwalk to the shopping mall, from the big screen to the art museum, fashion plays an increasingly central role in contemporary culture. Fashion Cultures investigates why we are so fascinated by fashion and the associated spheres of photography, magazines and television, and shopping. Fashion Cultures: * re-addresses the fashionable image, considering the work of designers from Paul Smith to Alexander McQueen and Hussein Chalayan * investigates the radicalism of fashion photography, from William Klein to Corinne Day * considers fashion for the 'unfashionable body' (the old and the big), football and fashion, and geographies of style * explores the relationship between fashion and the moving image in discussions of female cinema icons - from Grace Kelly to Gwyneth Paltrow - and iconic male images - from Cary Grant to Malcolm X and Mr Darcy - that have redefined notions of masculinity and cool * makes a significant intervention into contemporary gender politics and theory, exploring themes such as spectacle, masquerade, and the struggle between fashion and feminism.
List of illustrations p. xi Notes on contributors p. xii Acknowledgements p. xvi Shopping, spaces and selling p. 5 Urban Outfitting: The City and the Spaces of Fashion Culture p. 7 Fashioning New forms of Consumption: The Case of Paul Smith p. 25 Be Our Brand: Fashion and Personalization on the Web p. 49 Visual Seduction and Perverse Compliance: Reviewing Food Fantasies, Large Appetites and Grotesque Bodies p. 61 'No One Expects Me Anywhere': Invisible Women, Ageing and the Fashion Industry p. 79 Catwalk and after p. 91 Yesterday's Emblems and Tomorrow's Commodities: The Return of the Repressed in Fashion Imagery Today p. 93 Catwalk Politics p. 114 On the Move: Fashion Photography and the Single Girl in the 1960s p. 128 Escaping to Reality: Fashion Photography in the 1990s p. 143 Images, icons and impulses p. 157 On Wearing the Film: Madam Satan (1930) p. 159 Bombay Ishtyle p. 178 Making Up the Truth: On Lies, Lipstick and Friedrich Nietzsche p. 191 Cary Grant p. 201 Grace Kelly p. 205 Undressing the Latin Lover: Marcello Mastroianni, Fashion and La Dolce Vita p. 209 The Dandy Laid Bare: Embodying Practices and Fashion for Men p. 221 Darcy's Escape: An Icon in the Making p. 239 Gwyneth Paltrow p. 245 Spectacle and subculture p. 251 Fashion As a Culture Industry p. 253 Rock, Fashion and Performativity p. 264 The Italian Job: Football, Fashion and That Sarong p. 286 'My Man, Let Me Pull Your Coat to Something': Malcolm X p. 298 Performing Masculinities: Dandyism and Male Fashion in 1960s-70s British Cinema p. 315 Modes and methodologies p. 329 Flash Trash: Gianni Versace and the Theory and Practice of Glamour p. 331 Redressing the Balance: Patriarchy, Postmodernism and Feminism p. 349 'I Know Nothing About Fashion: There's No Point in Interviewing Me': The Use and Value of Oral History to the Fashion Historian p. 363 Museums as Fashion Media p. 371 Index p. 390