Hylla
Personnamn
Titel och upphov The spoken image : photography and language
Utgivning, distribution etc.
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references and index
Indexterm - Okontrollerad
ISBN
Antal i kö:
*00000718nam a22002537 45
*00113429
*007|||||||||||||||||||||||
*008110824s1999 z| 00 0 eng||
*020 $a1-86189-032-X :$c£16.95 : Formerly CIP
*035 $a(Ko)14764
*084 $aIn
*1001 $aScott, Clive
*24514$aThe spoken image :$bphotography and language /$cClive Scott
*260 $aLondon :$bReaktion ,$c1999
*300 $a355 s. :$bill. :$c24cm.
*504 $aIncludes bibliographical references and index
*653 $aFototeori
*653 $aFotokonst
*653 $aSpråk
*653 $aBildtexter
*653 $aBerättande
*8520 $hFOTOGRAFI - In
*950 $aPhotography, Artistic
^
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Language has always been central to the meaning and exploitation of photographic images. However, the various types and "styles" of language associated with different photographic genres have been largely overlooked. This book considers the nature of photography, examining the language used in titles, captions and commentaries, particularly as they relate to documentary photography, photojournalism and fashion photography. The Spoken Image addresses the question of how the photograph communicates its message, with or without the aid of language. The book looks at the work of film-makers such as Antonioni and Greenaway to contrast filmic methods of narration with those of photography. Scott concludes that photography has arrived at a level of communicative sophistication equal to that of modern textual narratives, in conjunction with which it often works.
Acknowledgements Introduction Titles and Captions The Nature of Photography Title and Caption: Projecting the Photographic Image Listening to the Documentary Photographer The Behaviour of Captions in the Press The Language of Fashion Photography Photography and Narrative Narrative and Time-lapse Photography in Peter Greenaway's A Zed & Two Noughts The Magazine Photo-story: The Rise and Decline of a Genre The Narrative Resources of the Photograph The Other Way of Telling John Berger and Jean Mohr In Conclusion: Modern Narrative in Photograph and Film References Select Bibliography Photographic Acknowledgements Index