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Titel och upphov Women and ceramics : gendered vessels
Utgivning, distribution etc. Manchester University Press , Manchester : 2000
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Serietitel - biuppslagsform
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ISBN
Antal i kö:
*00000754nam a22002653 45
*00110657
*007|||||||||||||||||||||||
*008110824s2000 e ||| ||eng||
*020 $a0719038405 :$c14.99 ; 45.00 : CIP entry (Jan.)
*035 $a(Ko)11693
*084 $aIhfa
*084 $aOhja
*1001 $aVincentelli, Moira
*24510$aWomen and ceramics :$bgendered vessels /$cMoira Vincentelli
*260 $aManchester :$bManchester University Press ,$c2000
*300 $a290 s. :$bill.
*440 $aStudies in design and material culture
*650 4$aKvinnliga konstnärer
*650 4$aKo
*650 4$aKeramik
*650 4$aKo
*697 $cKonsthantverk: keramik
*697 $cKvinnofrågor
*8520 $cKERAMIK - Ihfa
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This pioneering collection of essays deals with the topic of how Irish literature responds to the presence of non-Irish immigrants in Celtic-Tiger and post-Celtic-Tiger Ireland. The book assembles an international group of 18 leading and prestigious academics in the field of Irish studies from both sides of the Atlantic, including Declan Kiberd, Anne Fogarty and Maureen T. Reddy, amongst others. Key areas of discussion are: what does it mean to be 'multicultural' and what are the implications of this condition for contemporary Irish writers? How has literature in Ireland responded to inward migration? Have Irish writers reflected in their work (either explicitly or implicitly) the existence of migrant communities in Ireland? If so, are elements of Irish traditional culture and community maintained or transformed? What is the social and political efficacy of these intercultural artistic visions? Writers discussed include Hugo Hamilton, Roddy Doyle, Colum McCann, Éilís Ní Dhuibhne, Dermot Bolger, Chris Binchy, Michael O'Loughlin, Emer Martin, and Kate O'Riordan.
List of illustrations p. ix Acknowledgements p. xiii Introduction p. 1 Ancient times p. 9 Gender, technology and technique p. 33 Into the spotlight: female tradition and individuality p. 58 The decorative woman p. 77 Women, collecting and display p. 106 Working together p. 132 Supporting roles: women as patrons, promoters, writers and teachers p. 162 Running the business p. 193 Gender, identity and studio ceramics p. 220 Conclusion - the gendered vessel p. 254 Bibliography p. 259 Index p. 279